Next week sees the launch of Doll & Emon Sky Living HD. Written by and starring Dolly Wells & Emily Mortimer, the show also features appearances by Dolly’s fellow TVO regulars Tom Meeten, Laura Patch and Noel Fielding, as well as a number of Hollywood stars.
The first episode airs on Thursday 18th February at 10pm, and will be available on SkyGo from 10pm tonight (11th Feb).
TVO has been given exclusive access to the full series, and our spoiler free preview is below…
The great pantheon of work created by those we write about at The Velvet Onion quite often focuses on collaborations between friends and frequent associates. Talent finds talent, and connecting the dots between the legends of alternative comedy is something which can span generations. There’s a wibbly line right through the work featured on these pages which can, if you so wished to do so, be traced right back to the pioneers of silly: the Pythons, Goodies and Goons of yesteryear, even if our focus is on the last two decades or so.
Yet for all the talk of family: of Ealing Live, The Mighty Boosh and friendships forged in blood and sweat and late night petrol stations when a gig in the middle of nowhere’s gone awry, there’s one friendship which has remained untapped until now… and that’s that of Dolly Wells and Emily Mortimer.
Though an actress for some time, we first came across Dolly as the stunning Methusula – wife of Head Shaman Dennis in Series Three of The Mighty Boosh. From there came multiple roles in Star Stories and The IT Crowd, plus recurring roles in Free Agents and Campus and more recently Some Girls and Spy.
To many, though, she is simply Dolly – the German socialite friend of Noel in Noel Fielding’s Luxury Comedy. Ahead of the second series of this candy-cane slice of liquid nonsense, comes a very different project which sees her first work with lifelong friend, Emily Mortimer.
Mortimer, of course, also started out as an actress in English television, before a series of film roles became increasingly high profile. The 51st State catapulted her to stardom in America, which was followed up by roles in Match Point, The Pink Panther, City Island, Cars 2 and mega-smash Shutter Island. Recently, she’s been appearing in the hugely successful HBO drama serial The Newsroom.
Through Doll & Em, which the two titular stars co-wrote with director Azazel Jacobs, the pair play hyper-exaggerated versions of themselves. Emily is the movie megastar, currently filming a motion picture in LA with John Cusack and a hot-shot director who is adamant his film is not a female version of The Godfather.
Dolly, on the other hand, is not an actress, but a lifelong drifter whose nasty break-up with her slimy ex (played by her Luxury co-star Tom Meeten in a series of increasingly cringe-inducing cameos), gives Em the perfect idea. In need of a break, Doll becomes Emily’s assistant, and whilst at first all seems cozy, it’s not long before the cracks in this set-up begin to show.
What begins almost as the pitch for a romantic comedy, complete with Doll and Em both falling for the same man, turns in a surprisingly different direction. There’s a sense of British awkwardness abroad, and some scenes do perhaps play as broader than others – a seemingly disastrous encounter with a legendary actress, or Dolly getting locked out of the house springing instantly to mind – but the naturalistic tone soon takes hold and allows the flowing narrative room to breathe.
Those celebrity cameos never seem to get in the way, perhaps because they’re not handled the way a show like Extras did it. Andy Garcia, Susan Sarandon and John Cusack are there because they’re acquaintances in Hollywood, not to bag ratings or give the actors a ‘wacky’ moment to play on. Similarly, the appearance of Noel Fielding in the final, London-based episode doesn’t feel shoehorned in, even if his surreal suggestions for a great night in are so typically Noel!
It’s this naturalism that makes the show stand on its own legs, as the slow burning dissection of a lifelong friendship takes hold of Dolly and Emily. As Doll starts to find her feet both on set and as a mature woman, Em’s own insecurity begins to take its toll. A string of bad luck moments bring out her selfish side, which in turn causes a similar reaction in Dolly, and the two actors rise to the challenge of portraying this on screen beautifully. When they finally confront one another in the penultimate episode, you feel for them both equally, and their mutual despair is heartbreaking.
If there’s one complaint, it’s with the show’s format. With each episode only twenty-two minutes long,the piecemeal mini-plots do seem to be over so very quickly. Where this show will shine, perhaps, is in its lifespan after broadcast: the digital age actively encourages marathon gorging sessions, and at just over two hours, it’s very easy to just sit back and let the whole series run through.
Indeed, TVO watched the series pretty much back-to-back, and the end result was reminiscent of an independent feature: you could re-cast this with Laura Linney and Catherine Keener, put it out in arthouses as a two-hour feature and it would still work, even though we’d be missing those glorious central performances. Doll & Em just has that amount of class. As such, it will be interesting to see how it takes hold of an audience tuning in each week, as the nuances of the story may be clearer without the weekly gaps in broadcasts. We’re definitely hoping for a blu-ray release so we can revisit this world in one go once again.
Throw in a cheeky little appearance from Dolly’s other long-standing collaborator Laura Patch, and perhaps this is a show to set your DVR for, and swallow whole, but if you’d rather not do that, then stick with this it to find something you’ll treasure for a long, long time.
Doll & Em airs on Thursday 18th February at 10:00pm on Sky Living HD. It will be available exclusively to Sky Go customers from Tuesday 11th February at 10:00pm.