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More Smiley On Screen

15 Nov

Michael Smiley‘s been a busy chap, with a fair few of the projects that he’s recently been involved in receiving coverage this week:

Earlier this year we told you about his role in Orthodox, an independent film about an Orthodox Jewish boy, Benjamin, bullied for his faith, and who turns to boxing as a means of self defence. This week the film received its UK premiere at the Phoenix cinema in London, which included a cast Q&A. For more photos from the event and to find out where else the film is showing, follow Orthodox’s Facebook page or twitter feed.

© Zeitgeist

© Zeitgeist

This week were also told that Mr Smiley would be reprising his role of computer whiz Benny Silver in the new series of Luther. Rumour has it that BBC America will screen Luther series 4 as a three-hour special on Thursday the 17th of December, but as yet there’s no information about how the series will be screened for British audiences.

If you like your entertainment to be a bit out there and arty, try to catch the critically-aclaimed movie, The Lobster while it’s still on general release. Michael’s also in that – and here he is talking about it at the premiere:

And finally, don’t forget that he’s also in Belly of The Bulldog, a film by Nick Gillespie about a dramatic horror film about a group of mercenaries and their prisoners, also featuring Tom Meeten. Michael plays a character by the name of Capper and Tom plays Evans in the film. Belly of the Bulldog had its premiere at Frightfest in October – to great reviews, and hopefully more of us will get to see it on the big screen next year. However, we have found it available to download for free from a variety of sites, so have a scout around if you’re interested. For more information, follow the film’s twitter feed.


The Peterford Golf Club

15 Nov


Early last month we told you about the revival of Peterford Golf Club, this time as part of Radio 2’s Comedy Showcase.

The show, now called The Peterford Golf Club) written by and starring Simon Farnaby, was broadcast at 10pm on Tuesday evening, with a repeat tomorrow at 10pm. It also starred Barunka O’Shaughnessy, Lucy Montgomery and Tom Meeten.

It is of course also available on BBC iPlayer.

Next weeks Comedy Showcase also has a few TVO connections. The King’s Men is written by Arthur Matthews alongside  Terry Mynott (Toast of London), who also stars in the show with Robert Webb.

The two main characters are policemen Ernest Ridley and Arthur Smyth. The lifelong friends are asked to join the new Secret Service in London, after discovering what they believed to be a German plot to invade The Isle of Sheppey.

Also in the cast are Katy Wix, Ellie White and Alex McQueen.

The show will be broadcast on Tuesday at 10pm on Radio 2  and is available now on BBC iPlayer.

There is another TVO connected Showcase available now and due to be broadcast on Wednesday. Ankle Tag stars Katy Wix and Ellis James as new parents whose lives are interrupted when his Dad appears unexpectedly, wanting to stay.

The episode also features Alice Lowe and is available now, again on BBC iPlayer.

The Power Of Three: Tom Meeten & Mike Fielding Talk Tours

9 Nov
© Joe Lynn

© Joe Lynn

With Noel Fielding embarking on the next leg of his UK tour, and US/Canada shows in the pipeline, we wanted to do our bit to support An Evening With Noel Fielding. But because we’re The Velvet Onion, and because you lovely lot expect something different from us compared to what you can find in the mainstream media, we wanted to approach it from a fresh angle.

So we asked Noel if he had any ideas. “I’d love to include Tom and Mike” was his reply. It quickly became all about Tom and Mike, rather than just about including them. Noel’s response says a lot about the significance of their roles in the show and the respect that he has for his co-performers. Here then is what Tom Meeten and Mike Fielding told us about the live show and how the three of them work together. A glimpse through the stage curtains from a different angle, as it were:

© Dave Brown/Afrikids

© Dave Brown/Afrikids

I meet Tom in a busy West End pub. Owner of one of the deepest voices in comedy (transcribing the interview uses parts of my inner ear hitherto unknown) and initially quiet, Tom turns out to be terrific fun. Unguarded, candid and possessing an encyclopaedic knowledge of our kind of comedy,  spending an hour in his company is a real treat.

We discuss most of the projects and creative partnerships he has ever been involved with, including his enduring double act with Steve Oram, his recent appearance in the marvellous monkey movie Aaaaaaaah! and his starring role in a serious new feature film The Ghoul, written and directed by Gareth Tunley. But more of that another time; right now we’re focusing on Tom’s involvement in An Evening With Noel Fielding. Before we begin I mention Noel’s insistence that Tom and Mike are given an interview platform. He laughs: “Noel always wants to make it not just about him, but no one is interested!” Well we are.

As the conversation unfolds and the extent of Tom’s involvement in both the development and the performance of the live show becomes clear, one can only wonder how he could be perceived as anything other than a fundamental part of its story.

Tom and Noel have been friends for years, their first meeting taking place during the early days of their stand up careers. “I would turn up to gigs and people would think I was Noel – we had similar 90’s hair.” Tom remembers. “Lance Dior was based on that kind of thing. When I first met Noel I’d done an advert and his gran thought it was him. He was mildly furious that people thought it was him. It was one of the first conversations we ever had.”

© Joe Lynn

© Joe Lynn

Fast-forward a couple of decades, and they’re now working together on live material. An Evening With… was written by Noel and Tom, with the addition of Nigel Coan (director of Luxury Comedy and long time friend of Noel’s) as the third member. “It was a really good dynamic,” notes Tom, adding that Nigel was, “Amazing, really lovely to work with.”

Much has been written and debated about the significance of the double act in comedy: Morcambe & Wise, Vic & Bob, Barratt & Fielding, Oram & Meeten – there are endless examples of comedy power couples, and as a nation we love them. Famous comedy trios are a tad thinner on the ground; Noel, Tom and Mike all cite The Marx Brothers as their favourite threesome when I ask. I’m keen to understand how working as a three shifts the dynamic. “When you’re creating something, it’s it’s about making choices. If there are three voices you can debate it more, which gives you extra reassurance,” Tom explains. “With a double act it’s much more one person’s opinion versus the other.”

This unique set up allowed the trio to enjoy the best of both worlds: the additional perspective that a third person brings compared to two, and also clearly defined roles between the three of them: “The more people you have, if you don’t have a leader, the more dissipated the material gets. You need a singular vision. But then with this – and I flatter myself that I helped write it – it’s really all about Noel’s ideas. He’s the boss.” Tom says. There’s no hint of anything other than respect and camaraderie.

With Noel at the helm, Tom frequently saw his role as helping to filter ideas: “Noel has the most ideas per minute of anyone I’ve ever worked with,” he laughs. “And sometimes we would spend a whole day discussing one of those brilliant ideas and trying to work out how it would work in the context of the show.”

Tom explains that this sometimes meant killing off ideas which held real promise: “There’s a whole alternative show of weird and beautiful stuff,” he sighs. He mentions a Dondylion sketch (performed twice as part of their warm ups) which sadly didn’t make it to the final cut: “That was me and Noel being left alone without Nigel, creating this weird sadistic sketch. I still think there’s something in it – I’d love to think one day it might resurface in some form, but it just wouldn’t fit into the show. “

© Joe Lynn

© Joe Lynn

The amount of practical planning that goes into the show is surprising; Preparation and sheer hard work is needed to bring those effortless flights of fancy to life on stage. Considerations like allowing time for costume changes, or the need to conceal props for later scenes can end up dictating whether a particular sketch remains in the show or not. It also explains the development of the strong supporting characters: “We had to establish other characters who could cover certain things – mundane practical stuff.  It means the characters have to be strong, so you put work into them,” says Tom.

He places a great deal of significance on his character’s first appearance on stage. “I get thrown to the lions a little bit. I’m the first person the audience sees that isn’t (a) Julian or (b) Mike. Half the people don’t know who the fuck I am!” Tom jokes. “In that moment when I come on, it’s really exciting because it might fail – and sometimes it has. The introduction of my character suddenly shifts it, so you never quite know. You say your first words and there’s a reaction…you feel it. That’s the amazing thing about performing live – you get influenced by the reaction you get. So if you get that reassurance from the audience, you’re away; you’re relaxed and excited. But sometimes I’ve come on and people have been, ‘What’s going on? Hold on – who’s this dude?’.”

I ask if audiences give any early clues as to what kind of reception he’s going to get. “There are certain parts of the show where you look for signals,” he explains. “During Noel’s stand up I’m backstage, waiting to go on. I know all of his stand up now – it goes around my head for weeks after we’ve finished the tour! There are certain points in it, and if they get a big laugh, you know it’s going to be a really good show. It’s reassurance.” I can only imagine what it must feel like, waiting in the wings for his cue on those nights when the positive signals aren’t forthcoming from the crowd.

© Dave Brown

© Dave Brown

An Evening With… includes some elements from Noel’s TV show Luxury Comedy (like Sergeant Ray Boombox and Joey Ramone), but it doesn’t rely on audiences being familiar with the series. I wonder whether there was any discussion about Tom’s TV character, Andy Warhol, featuring in the live show. “Andy Warhol was in some of the previews, but in the end we cut him out because he changed the dynamic. His status was wrong, because he was subservient and we needed a high status character to try to undermine Noel. You need that bit of friction.” Tom’s reply provides further evidence of the degree of thoughtfulness that’s gone into creating the show. Thrown together it certainly isn’t.

With our conversation drawing to a close, I bring up the third member of their on-stage troupe; how does Mike fits into the equation? “Mike is the enigma.” Tom pauses, as a smile spreads across his face: “Noel and me are doing all this hard work – I’m pouring with sweat and Noel’s just done this full hour of material, really working it. Mike just comes on stage and the house comes down!” Whenever Mike’s mentioned he’s spoken of with genuine fondness. The impression Tom gives of Mike is that he orbits in a slightly different plane to Noel and himself. But it’s clear that the dynamic works – both on stage and off, where his presence is felt very positively. “Mike keeps us going throughout the tour,” Tom observes.

© Tom Meeten

© Tom Meeten

My dialogue with Mike is sadly only fleeting, but no less charming for it; he’s one of the most considerate, polite people I’ve ever spoken to. I catch him at a busy time, during a week when he’s been attending a James Bond-themed party next to the runway at Gatwick airport and also serving drinks to Meryl Streep and Nicole Kidman (which is what he does when he’s not on tour). As such, our conversation is limited to a few quick questions and answers.

Mike describes his role in An Evening With… as a lot more developed than the role he played on the Boosh tours, which is something he enjoys. I ask him how the working relationship between Noel, Tom and himself differs from that of the Boosh gang. “Its very different working as a trio,” he says. “Noel, Tom and I get on very well, we never fall out – even when we’re living in each others’ pockets on the road. When you have a bigger group, like the Boosh tour did, there’s too many egos in the pot; always someone trying to outshine the others or be the loudest. There’s great camaraderie in our trio; we call ourselves the Peloton, as we all have each others backs equally.”

I wonder what the highlight of the tour has been for him so far. “My favourite leg has been Australia. I love Australia; I moved there for a year in my teens, so it was amazing to go back and see a lot of my old friends and work colleagues. Australian crowds are very different to UK audiences, they’re very chilled out but still very much up for it – very humble and polite.”

After playing a shaman, an ant eater, the digital Wimbledon umpire and his brother’s wife, what’s next for Mike Fielding? “I’m still writing with my writing partner Max, (Peanut Jones in Luxury Comedy). We’re developing new ideas sand revisiting old scripts to refresh and condense them – and we’ll maybe film some stuff and put it online.” Given how unwittingly hilarious Mike is, this is something we need to see.

© Joe Lynn

© Joe Lynn

In the end I leave it to Tom to provide the final word on the dynamic between the three of them; besides the Marx Brothers, which other trios does he admire? He snorts derisively at my suggestion of sporting threesomes (“What sport do you know that’s played by three people?”), so we agree that it should be another comedy threesome. It takes a moment or two to think of one, then eventually inspiration hits: “The Three Amigos! Noel is Chevy Chase, Mike has to be Martin Short…and I’m Steve Martin.” Tom grins, visibly pleased with his conclusion. “I’ve come out of this very well!”

You lucky people can still get to see An Evening With Noel Fielding – in the UK from now through to December, and then touring the US and Canada in March/April 2016. For more information and to buy tickets visit Noel’s website.

Many thanks to Tom and Mike for giving their time to The Velvet Onion – and to Noel for suggesting that we badger them. We wish the three of you the best of luck for the rest of the tour!

Look out for Part 2 of our interview with Tom Meeten, coming soon, when he’ll be telling us about his new film The Ghoul, working on Aaaaaaaah!, and his working partnership with Steve Oram.

Out On Mondaaaaaaaah!

17 Oct

If you’re a regular reader of The Velvet Onion, you’ll know that we’ve been getting more than a bit excited about Aaaaaaaah!, the comedy horror from Steve Oram, which stars a bevy of TVO faces. And now we can get excited again – because from Monday everyone will get the chance to see what all the fuss is about.

The film is available to pre-order from iTunes here for £9.99, and from Monday 19th you’ll be able to find it on a variety of other VOD platforms from FrightFest Presents, including Virgin Movies, Blinkbox, Google Play, Amazon, Xbox Video, Wuaki, Talk Talk and Volta. Thoroughly recommended!

In the meantime, why not occupy yourself with this podcast interview with Steve about the film:

If you’re a fan of Aaaaaaaah! and you haven’t wandered down these parts for a while, why not read our interview with Steve himself and our review of the film. And keep an eye out for our profile about one of the film’s stars too, which will be coming your way very soon…!

Return to Successville

14 Oct

BBC Three’s smash hit comedy series Murder in Successville is to return for a second series.

© BBC / Tiger Aspect / Ollie Upton

© BBC / Tiger Aspect / Ollie Upton

The show, which first aired earlier this year, features Tom Davis as rough, gruff, intellectual doorknob DI Sleet, presiding over a town filled with potentially murderous celebrities – all played by comedy talents.

The first series featured Cariad Lloyd as Darcey Bussell, Justin Beiber, Cheryl Fernandez-Versini and Miley Cyrus;  Colin Hoult as Jimmy Carr and Gary Barlow; Tom Meeten as Richard Hammond; Dan Skinner as Bob Geldof; Tony Way as Harry Styles and Harry Peacock as Niall Horan.

Also along for the ride were series co-writer Nico Tartarowicz as put upon fellow officer Sid, and a whole host of familiar faces – including Frances Barber, Ricky Grover, Jenny Bede, Luke Kempner, Chris Martin Hill, Nick Mohammed, Jason Lewis and a scene stealing Liam Hourican.

With music by Waen Shepherd, no less, acting as the cherry on top, it’s easy to see how we’ve got this far down the article without explaining the show’s ‘set-up’: each week a real celebrity plays rookie partner to DI Sleet, as they investigate a murder that one of three suspects is responsible for. It’s up to the guest to decide who to take down.

Rookies in series one included Dermot O’Leary, Louis Smith and Greg James – the latter of whom ended up making his own sitcom pilot, Dead Air, off the back of the fun he had on the show. And the fun, it seems, has been shared by viewers – with the show proving a hit on original transmission and a recent repeat run.

© BBC / Tiger Aspect / Ollie Upton

© BBC / Tiger Aspect / Ollie Upton

Now TVO can confirm that a second series – once again featuring Tom Davis, Tom Stourton, Colin Hoult and Cariad Lloyd (with more names to be confirmed) – will shoot in January. James De Frond (The Morgana Show) returns to the director’s chair, and we’ll bring you more news on Murder in Successville‘s return in the new year. Let’s go solve a crime!

Oram & Meeten Live Later This Month

8 Oct
© Pull the Other One

© Pull the Other One

Sadly, for us lovers of top notch comedy, Oram & Meeten‘s live shows are relatively rare. But now we can all rejoice, because the legendary duo are performing later this month!

Fresh from their starring roles in simian comedy horror AAAAAAAAH!, Steve and Tom will be live on stage at The Old Nuns Head Pub (15 Nunhead Green, London SE15) on Friday 30th October at 8:30pm.

They’re headlining the next ‘Pull the Other One’ bill, which also includes Louise Reay, Darren Maskell, Michael Lightyear and Lewis Blomfield (host).

If you haven’t seen Oram & Meeten live before, we implore you to go. It’s a Friday night, they’re stupendously good – and the opportunity to see them perform really doesn’t happen often enough.

Tickets cost £10 (+£1 booking fee) are are available here. Do it.

Peterford Golf Club Swings Again

5 Oct


Peterford Golf Club is being revived in brand new take on the cult classic for Radio Two.

Promising to do for golf clubs what Green Wing did for hospitals, this new sitcom incarnation of the long gestating project is written by its co-creator Simon Farnaby and stars Simon alongside Barunka O’ShaughnessyTom Meeten and Nathan Barley star Claire Keelan.

In it, Farnaby plays golf club regular Stuart, who has a chance of being appointed to the all-powerful committee, if only he can get his rival Bob out of the way. Meanwhile, players Chris and Jane are trying to rekindle their relationship, which has gone into the rough.

© Waen Shepherd / Moira O'Hara

© Waen Shepherd / Moira O’Hara

Longstanding TVO readers will recognise the name of the show, thanks to its historical significance within the annals of Onion Land. For the uninitiated, Peterford Golf Club started out as a sketch in Simon Farnaby and Waen Shepherd‘s 2001’s comedy night Animal Pie, before becoming the name of their two man stage sketch show the following year.

As well as birthing Gary Le Strange, the sketch night featured Farnaby and Shepherd as the titular golf club members, and while the concept fell onto the back burner for quite some time, it led to a one-off 18 minute pilot episode for E4 back in 2007.

© Channel X

© Channel X

Entitled Golf War, Shepherd took a back seat in this incarnation, as Farnaby joined forces with Rich Fulcher and Scott Murray to write the pilot, which also featured Matt BerryJohn Hopkins, Nina Conti, Gareth Hale and a theme tune arranged by Julian Barratt, no less.

In the televised version, Farnaby’s Stuart Oglivy was the foolish chair of a golf club, while Fuclher was his idotic subordinate Len. Matt Berry played the owner of a rival, swankier golf club adjacent to theirs, whilst Shepherd – who also scored the show – was gardener Bob.

Meanwhile, Hopkins cropped up as one of a trio of businessmen that Stuart was looking to impress with the help of a kidnapped Hale from Hale and Pace, and it was all very silly in the best possible sense.

Sadly, the broadcast was cut to just 13 minutes, and promptly forgotten about, though an extended version has been available on YouTube since the channel abandoned plans to make the show in early 2008.

It’s currently unknown if Waen Shepherd is involved in the new radio pilot, but whilst the show has a long linage, we’re considering this incarnation to be a new beast of its own design.

And the good news is, you can judge this for yourselves too – as the pilot will be recorded in front of a live studio audience later this month.

Recording takes place on Wednesday 28th October at 7:15pm at BBC Radio Theatre, and you can apply for tickets over yonder now. More news on Peterford Golf Club as we get it… stay peeled.

Noel Fielding Tour DVD Release

30 Sep

tumblr_nvi5wzATbn1tip4qxo1_540The DVD of An Evening With Noel Fielding, Noel Fielding‘s 2014/15 live show, will be released on 16th November and is now available to pre-order.

Priced at £12.50, the DVD features a recording of the live show (filmed in Australia), and a behind-the-scenes documentary by Joe Lynn, who accompanied Noel, Mike Fielding and Tom Meeten on the UK leg of the tour.

An Evening With Noel Fielding was applauded by fans and critics alike, so whether you were one of the lucky ones who saw the show and fancy some happy reminiscing, or if you weren’t and you simply want to watch some top drawer, inventive comedy – then get pre-ordering!

There are still a few tickets available for the forthcoming November/December UK dates; details and ticket information can be found here.



29 Sep

© Rook Films

The good folk at Rook Films have released a limited screen print run of the Aaaaaaaah! movie poster.

There are only 100 copies of the five-layer print made to celebrate Steve Oram‘s directorial debut. In case you’ve missed it, the film stars Oram alongside a cavalcade of TVO regulars: Noel FieldingJulian BarrattTom MeetenWaen ShepherdTony WayAlice LoweShelley LongworthWaen ShepherdSean Reynard and John Hopkins.

Also along for the ride are the brilliant Julian Rhind-Tutt, Holli Dempsey and the legendary Toyah Willcox.

We’ve sung the film’s praises, and a lot of you have fallen in love with it already. Now thwack a bit of it on your wall for good measure, while you still can!

Rave Reviews For Bill

26 Sep
© BBC Films

© BBC Films

Bill, the new feature film about the lost years of William Shakespeare’s life, from the team who brought us Horrible Histories, has been wowing critics. Inspired by her own visit to the cinema to see the film (which boasts a bevy of TVO faces), Velveteer Mog rounds up the recent Bill reviews (and adds a sprinkling of her own opinion for good measure):

Anyone familiar with the likes of Monty Python, Blackadder and Horrible Histories will testify to the fact that mashing together historical facts with the funnies can be a wonderful combination. Bill continues this fine tradition, while wearing its ancestral influences well. Best described as ‘Monty Python for 12 year olds’, the jokes come thick and fast from a strong cast, most of whom play multiple roles.

© BBC Films

© BBC Films

With high production values, tight, inventive story-telling and a phenomenal gag to screen time ratio, the result is hugely entertaining: funny, daft and clever. All the performances are excellent, but a special shout out should go to Simon Farnaby, who is a treat every time he’s on screen. Plus it was a joy to see so many of ‘our lot’ adding to the giggle quota: Rufus Jones, Justin Edwards, Richard Glover and Tom Meeten.

If there weren’t enough TVO faces on screen, we were lucky enough to see two more in the audience at our local cinema, in the form of James Cook and Julian Barratt. I’m delighted to report that they seemed to enjoy Bill as much as we did.

But don’t just take our word for it; here’s what the critics have had to say about Bill (click on the links to read the review in full):

The Guardian awards Bill 4 stars, describing it as exhibiting “hints of the Carry Ons, Blackadder and especially Python.” The Observer also gives 4 stars, saying, “Nicely balancing its historically literate gags with broad knockabout slapstick, Bill is a crowd-pleasing treat that should tickle audiences young and old alike.”

4 more stars from Time Out, who say, “Mathew Baynton’s plucky Bill, Jim Howick’s grumpy Marlowe and Ben Willbond’s testosterone-fuelled Philip II of Spain are all up there with vintage ‘Blackadder’.” Den of Geek also loved it, noting that “fans of the team’s previous work will not be disappointed here,” adding, “their speciality lies in combining the grandeur of the historical or the fantastical with pure silliness, creating a bathos which is amplified in Bill by the cinematic ambition of the project.”

Even the FT gave Bill a big thumbs up, saying, “This is a comedy. And a puckish, inventive, funny one.” And The Express called it “daft fun for all the family”. A very good thing in our book.

But the final word goes to one of my notoriously difficult-to-impress kids, who summarised the film as: “Very good, funny and a bit cheeky.” High praise indeed!

Bill is currently on general release in cinemas across the UK; check local listings for details.

© BBC Films

© BBC Films

Bill – Out Tomorrow

17 Sep

Bill – the long awaited film about the lost years of William Shakespeare is finally released tomorrow (September 18th), six months later than originally planned.

© BBC Films

© BBC Films

It is written by Laurence Rickard and Ben Willbond, who star in the film, along with the rest of the cast of BBC’s Horrible Histories (and Sky 1’s Yonderlandto tell the story of hapless lute player Bill Shakespeare, who wastes his life in a band called Mortal Coil.

He dreams of becoming a playwright so moves his family from Stratford-upon-Avon to London, where he befriends Christopher Marlowe, who has been unemployed since the plague closed all the playhouses.

They join forces on a play which they intend to sell to The Earl Of Croydon who has promised some comical entertainment for Queen Elizabeth I (Harry Potter’s Helen McCrory). Unfortunately there is a plot to kill the Queen, so of course the lads get caught up in this.

As well as Simon Farnaby and the rest of the Horrible Histories gang, the cast also includes Damien Lewis and a few familiar TVO faces in supporting roles: look out for Richard GloverJustin EdwardsTom Meeten and Rufus Jones!

Click here for reviews and interviews and you can see the trailer below.

Shooting the Breeze is Back!

15 Sep

This week sees the long-awaited return of Rachel Stubbings fronted film night Shooting the Breeze after a lengthy Summer sabbatical, and there’s some exciting details for TVO readers to savour.

© Rachel Stubbings / Ben Mallaby

© Rachel Stubbings / Ben Mallaby

First up, the event will feature an early preview of a new short film called One Tw*t written by Stubbings, directed by Ben Mallaby, and starring Stubbings, Mike Wozniak and Tom Meeten. A romantic comedy with a twist, we’ve got a couple of exclusive behind the scenes stills for you across this post.

© Rachel Stubbings / Ben Mallaby

© Rachel Stubbings / Ben Mallaby

The night will also feature the first screening of Mosquito starring Stubbings alongside Alice Lowe, Richard Herring and Michael Spicer, as well as contributions from Steve OramAlex MacQueen, Diane Morgan, Brett Goldstein, Alistair Green, The Blaine Brothers, Andrew Laurich, Gabriel Miller. MP Cunningham and even more – all packed into one stuffed hour of awesome film.

© Rachel Stubbings / Ben Mallaby

© Rachel Stubbings / Ben Mallaby

As ever, Shooting the Breeze takes place at Shortwave Cinema in Bermondsey Square, and tickets for the show this Thursday, 17th September are just £7 over yonder.

Onion Talking: Steve Oram Opens Wide & Says AAAAAAAAH!

8 Sep

unnamedIf you’re a regular reader of The Velvet Onion you’ll know that we’ve been getting pretty excited about Steve Oram‘s unique simian comedy horror AAAAAAAAH! for a while now. Thought-provoking, hilarious and frequently downright disgusting, AAAAAAAAH! enjoyed a triumphant World Premier at Frightfest last month and is being screened at a number of festivals over the coming weeks. Trust us when we say that you really need to see it.

Earlier this week Steve kindly found the time to chat to us about the film:

AAAAAAAAH! portrays a world in which humans behave like apes – but how accurate are those ape-like behaviours? Were you down at the zoo, taking notes, Steve?

The idea of them behaving like apes isn’t strictly what I was intending – they’re actually more like cavemen. I was creating a world where language, in particular, isn’t so advanced in evolutionary terms. So they don’t have all of the things that language gives us, and those subtleties are played out in different ways.

I think AAAAAAAAH! a very open thing that exists in its own world, but we decided to describe it as “behaving like apes” because it’s a concise and easy way of describing it. It’s for everyone to interpret how they wish.

We see some pretty out there behaviours on screen. If your intention wasn’t to directly mimic the ape world, how did you come up with them?

There’s a strong internal logic to it – they’re all slightly-skewed social rituals. For example, the fact that they use their hands to eat [instead of cutlery] is about etiquette; that’s just what they do in their world, it’s a custom. And when Toyah and Lucy [the mother and daughter of the family] poo on the floor, that’s just something that mothers and daughters do; it’s social ritual bonding thing that they do when they’re cooking.

Screen Shot 2015-09-08 at 22.20.27

With AAAAAAAAH!, are you trying to say something significant about modern society, or is the construct simply an idea that you liked?

It’s just something I found funny; I didn’t set out to make something that was a satire or a commentary. I just really enjoyed creating an intricate world, and creating the interactions and the characters – making them do silly, extreme things.

10291146_10152555044887673_1890467153980958974_nYou’ve worked with many of the cast members multiple times before, but how did you decide on which new faces to bring on board, like Toyah and Julian Rhind-Tutt? 

With Toyah, I loved her work in Jubilee and Quadraphenia – I’ve been a massive fan of hers for years. I was trying to cast a lady in her 50s who wouldn’t mind having to do embarrassing sex scenes and have blancmange thrown at her face. There’s not that many of them! I didn’t know her before, but I sent her the script and she loved it.

I was working with Julian on a TV film called Wipers Times over in Northern Ireland, coincidentally while I was writing AAAAAAAAH! on my days off.

I started thinking about him for the film, and he was one of the first people I attached to the script. He was keen to play against type – as a horrible washing machine repair man!

The dynamic between you and Tom, who plays your beta male, is pretty special. Do you think anyone else could have played that role apart from Tom?

Absolutely not, and not just because of his balls – although that is always a consideration [Tom’s familiar testicles have a supporting role in the film]. I was so pleased to work with Tom on this, and it was so much fun doing it with him. There’s a shorthand for the things we do and have done for years; when we started the film it made me feel really confident and happy that he was in it and that we were doing something together.

10418463_10152143892116526_4047534245763507909_nThere’s no actual speaking in the film, but you wrote a script for the actors to follow. How did that work?

The script was all written out in English. The scenes had English dialogue in them for the actors, so that they got a sense of what each scene was about and what they were trying to do and say. On the day we read it through with the dialogue, and then we ‘went ape’. We threw the scripts away and instead of speaking everyone went “Ughhhhh”. No one will ever know what that script contained because it is full of filth!

Did your experience on Sightseers influence how you approached AAAAAAAAH!?

In terms of writing, I got better at it with this film; I did it very quickly and spontaneously. We had a long drawn-out development period with Sightseers, and this was a chance for me to do something very quickly and to do it myself.

I learned a lot from Ben Wheatley about being quick. With Sightseers we moved about a lot, so we had to do the scenes very quickly. That really influenced me, and I started making more short films after that which incorporated a fastness of movement. If you’re not standing around repeating everything fifty-million times, but you’re shooting scenes in one or two takes, it gives the film energy.

10479132_10152143890811526_7908757513103856445_nWhat do you prefer doing: directing, writing, acting, stand-up?

I love them all! At its heart it all stems from writing – that’s probably the single thing that links it all together. As an actor you need to understand writing and interpret scripts…they all feed into the same thing.

So what’s next for Steve Oram?

I’m writing the next one, which we’ll hopefully film next year. It’s another weird, dystopian comedy sci-fi…believe it or not!

I’m really driven by people saying “You can’t do that, it’s too strange”. I just go “Of course you can,” and do it. Film is just a collection of sound and images – you can do whatever you want. It’s sad that we’re so paralysed and narrow in the way we make films, and art generally. If someone says you can’t do it, just do it.

Here here. A big thank you to Steve for taking the time to talk to us about AAAAAAAAH!

You can catch the film at various festivals and screenings over the coming weeks – including dates in London, Bristol, Birmingham, Los Angeles, Belfast, Dorset, Leeds and Nottingham. They’ve even had a Paris screening this week! To find out where and when you can see it and for further updates, check out Lincoln Studios website. 

AAAAAAAAH! will also be available on VOD via Icon Film Distribution and FrightFest from 19th October. 

The Ape Man Cometh: AAAAAAAAH! Review

28 Aug

unnamedOne of the things that distinguishes the artists that we write about at The Velvet Onion is their ability to think differently and to make waves in a sea of entertainment mediocrity. At their best, they conjure up ideas and dream of worlds so creatively vibrant that they force us, the audience, into a different headspace ourselves. In this respect, Steve Oram‘s AAAAAAAAH! (always written with eight ‘A’s) totally nails it.

The premise of the film is simple: it shows us what human beings would be like if we conformed to the natural behaviour patterns of apes. AAAAAAAAH! presents us with an everyday world that looks like ours but where society has been reduced to little more than factions of fighting, fucking, shitting beasts.

Although I’m no primatologist, I’m fairly sure David Attenborough has said that our simian relatives are more complex than this. But given that the impact of AAAAAAAAH! comes, in large part, from the consistent and gaping absence of anything recognisably ‘human’ in the behaviour of the human forms on screen, let’s embrace the film’s freewheeling approach to natural history.

First things first: the idea upon which the film is built is strange, brave, funny and thought-provoking (more of that later). Conceptually, it’s one of the most interesting films I’ve seen in a long while. The cast are astonishingly good – within minutes you forget that nobody is actually speaking; their grunts, whoops and gestures tell you everything that you need to know about the film’s narrative (as an aside, Tom Meeten told us that the cast were actually given scripts to follow. Wonderful stuff!). Of particular note is the perfectly-observed unspoken camaraderie between Steve Oram and Tom Meeten, the boorish mateyness of Julian Rhind-Tutt and Sean Reynard, and the emotional fragility of a garden-bound Julian Barratt.

It’s also a real pleasure seeing so many of ‘our lot’ working together on a project like this. Proof, if any were needed, that they are a group bound by a shared love of what can best be described as creatively out there. And thank goodness for that!

unnamedBe warned though, it’s not all comedic complexity and anthropological insight. AAAAAAAAH! makes for pretty visceral viewing, sometimes bordering on the gratuitously gross – although it’s generally done for humorous effect, not to offend. The screen is frequently awash with body fluids and body parts, chunks of half-eaten food and unpredictable bloody violence. Within moments of the film starting two key characters defecate in their kitchen, and aggressive, often uninvited sex is never more than a couple of scenes away. Let’s just say it’s probably not a film to take your Mum to.

unnamed-3The overall sense of visual unpleasantness is reinforced by the depiction of a shabby, urban working class existence (I don’t know why, but I suspect that a rural middle-class monkey life might be easier on the eye), and the general look of the film, which is raw and ungraded.

With movie audiences now more used to the anaesthetising effect of Insta filters, it’s actually quite unnerving to watch a film which looks like it might have been shot on video tape.

Perhaps this was a decision born out of budgetary necessity, but by looking less cinematic AAAAAAAAH! feels more real, more immediate. This realism nudges it away from being an artistic concept on a cinema screen, towards a depiction of an authentic world that any of us could easily be part of.

And this is where the film gets really interesting: after watching it I half-expected violent chaos and beastial shrieks to erupt on my tube journey home. The fact that it didn’t, and that every day we unconsciously navigate our way around other people, mindful even of the rights of the strangers in our midst, suddenly seemed astonishing. AAAAAAAAH! provides a fascinating glimpse into what our society could be like if we didn’t follow the intricate set of social rules that have been defined and refined by several millennia of cultural evolution.

unnamed-1Watching people (like us) behave like apes has the effect of re-setting one’s internal gauge of what a ‘normal’ society should be like. We share 99% of our DNA with apes; how incredible it is then that we live in such close proximity to each other, but we rarely fall back on our basic animal instincts to deal with those around us.

AAAAAAAAH! makes you question the validity of the cultural codes by which we live. It forces you to acknowledge how strangely unnatural, transient and man-made our modern lives are. If we were to strip away these superficial social conceits, then really we’re no different to the apes that preceded us. We too are horny, violent, disgusting creatures. It’s no wonder that the news is full of bloodshed and war.

And that’s why I relished AAAAAAAAH so much: it made my brain whirr. It isn’t necessarily lovely to look at and it’s not perfect – indeed, it seems to flaunts its flaws with a strange sense of pride, but it really makes you think – for long after the end credits have rolled – and for that it deserves to be applauded. With the lions’ share of ‘entertainment’ served up for our online/on-screen pleasure these days unlikely to create the smallest cognitive ripple, anything that forces us to sit up and take notice should be celebrated. AAAAAAAAH! is punk cinema at its best: crude, rude and brain fizzingly provocative. Go see!

The next screening of AAAAAAAAH! Takes place at Picturehouse Central in London on 4th September, and includes a cast Q&A. For tickets for this and for updates on other screenings please visit the Lincoln Studios website.



30 Jul

unnamedThe excitement is mounting…. As we’ve mentioned previously, AAAAAAAAH!, the new film by Steve Oram, which features a bevy of TVO faces, will be getting its world premiere next month at Film 4 FrightFest at Leicester Square! But for those of you who can’t make it there, don’t despair – because the film may be coming to a screen near you!

Additional screenings of AAAAAAAAH! include:

Picture House Central in London’s West End on 4th September (+ cast Q&A)
End of the Road Festival (Dorset), 4th-6th September
Mayhem in Nottingham, 15-18 October

Plus more dates to be announced soon. Sign up or check here for screening updates and general AAAAAAAAH! news.

Rook Films

Rook Films

For anyone out there who isn’t familiar with AAAAAAAAH! (how??), Steve’s debut features the entire cast behaving as apes – speaking in grunts and gibberish, in an anarchic, disturbing and touching look at the human condition. It stars Julian Barratt, Toyah Willcox, Julian Rhind-Tutt, Steve Oram, Lucy Honigman, Tom Meeten and Sean Reynard. The supporting cast includes Noel Fielding, Holli Dempsey, Shelley Longworth, Alice Lowe, Tony Way and Waen ShepherdBen Wheatley is also executive producer.

What’s more, AAAAAAAAH! is already receiving rave reviews; here are a few choice comments from the critics:

“Terrifyingly funny, hilariously sick and unlike anything you’ve ever seen before. Easily the cult movie of the decade” – Alan Jones Film4 FrightFest

“Steve Oram’s AAAAAAAAH! made me question humanity.” – Adam Woodward, LWL’s

“Deeply offensive in all the right ways. Marks its strange, humorous territory with originality and style.” – Phelim O’Neill

Excited yet?

World Premiere & Q&A For Aaaaaaah!

5 Jul

Screen Shot 2015-07-05 at 12.47.33As our regular readers will be aware, we’ve been getting more than a little over-excited about Aaaaaaah! for some time – and now the details of the World Premiere have been announced.

Steve Oram‘s directorial debut comedy horror, about a world inhabited by apes in human form, will star a cavalcade of comedic TVO-connected talent (and post-punk icon Toyah Wilcox), including Julian Barratt, Noel Fielding (or “Noah Fielding” according to this site), Alice Lowe, Tom Meeten, Steve Oram, Sean ReynardWaen Shepherd, John Hopkins and Tony Way.

The film premieres at Film 4 FrightFest at Leicester Square – and you can be there to experience it on the big screen in person! What’s more, the event will feature a Q&A with some of the cast. Steve and Toyah are confirmed for this, but there’s on news yet as to which other cast members will be there.

The film will be screened at 18:35 on Friday 28th August on the Discovery 1 screen. A festival pass costs £185 (eek) and day passes for the Friday are £60 (still eek) – these are available here. Single tickets at £13.25 per film will go on sale on 25th July, but unfortunately there are no guarantees what will be available then. Festival and day passes went on sale yesterday and it looks like demand so far has been very high.

In the meantime, to remind yourself how flipping exciting this is (and it really is!), take another look at the Aaaaaaah! trailer below:

So Hot Right Now: #34

8 Jun

Welcome to The Velvet Onion – the central hub for an interconnected range of alternative comedy and more. Click through for the latest news, and see what’s so hot right now THIS WEEK below…


Murder in Successville, Wednesday, 10:00pm, BBC Three

© Tiger Aspect / Ollie Upton

© Tiger Aspect / Ollie Upton

It’s been a fun ride, but all good things must come to an end as we say a fond farewell to Murder in Successville this week – and it’s another corker to go out on.

Joining Tom Davis gumshoe maverick DI Sleet this week is Olympic gymnast Louis Smith, after phramacist Lindsay Lohan turns up spray-tanned to death. With the help of forensic pathologist Richard Hammond (a spot-on Tom Meeten), the duo must determine the culprit and fast. Was it local gym owner Vladamir Putin (Tom Stourton), convicted psychopath Kim Kardashian (Marie Lawrence) or local bric-a-brac salesman Russell Brand (Luke Kempner).

Also featuring Jess Robinson and Liam Hourican, this is a delightful finale for the smash-hit show, which over the last six weeks has also featured the likes of Colin Hoult, Cariad Lloyd, Tony Way, Harry Peacock, Dan Skinner, Gemma Whelan, Frances Barber, Nico Tatarowicz and Ricky Grover. A dynamite cast indeed, and we hope we’ve not seen the last of DI Sleet yet.

You can catch up with previous episodes on iPlayer now, and see an exclusive preview clip featuring the two Toms below.


Doll & Em, Wednesday, 10:00pm, Sky Atlantic

© Sky Atlantic / HBO

© Sky Atlantic / HBO

Dolly Wells and Emily Mortimer return in the charmingly off-kilter UK/US hybrid comedy Doll & Em once again this week, as the second episode of Series Two airs on Sky Atlantic.

Now casting their dream off-Broadway play, Doll’s bluntness and Em’s over-compensating almost lose them their two leading ladies: Hollywood actresses Olivia Wilde and Evan Rachel Wood. Keen to win them over, they plan a dinner party for the four of them, but with this being the world of Doll & Em nothing quite goes to plan.

After a slighted muted opening episode, this second instalment is delightfully funny: from Em trying to have two phone-calls at once while her hungry young son gripes at her, to Doll meeting a man with a mirror and a pack of playing cards. Unafraid to send themselves up to oblivion, this is dynamite television you’d be mad to miss.

You can read our preview of the first two episodes over yonder, and both series are available via catch-up services Sky Go and Now TV if you need to get up to speed.


Sun Trap, Wednesday, 10:45pm (regional times vary), BBC ONE

© Happy Tramp / BBC

© Happy Tramp / BBC

The adventures of Brutus and Woody on their Spanish island paradise continue in this week’s edition of SunTrap, and just like last week, there are two bonus TVO stars turning up for good measure.

In this third episode of the Bradley Walsh & Kayvan Novak vehicle, the island’s annual hypnotism convention sends mesmerists from all over the world to the resort. But when a hypnotised member of the audience develops a murderous streak and flees the venue, Woody must use his skills as a master of disguise to hunt for the missing man.

Simon Day guests as the punter and would-be-killer ‘Handlebar’, whilst Morgana Robinson plays Janice, wife to the troubled hypnotist The Fabulous Mark (Pulling and Dead Set star Cavan Clarkin). There’s also a great guest appearance from the criminally underrated Martin Trenaman (Luxury Comedy, The Mighty Boosh and lots of other things). Check it out.


Humans, Sunday, 9pm, CHANNEL 4


© Channel 4


Sunday evening sees the launch of new dystopian sci-fi drama Humans featuring Katherine Parkinson and Rebecca Front in its ensemble cast.

Set in a world where synthetic human servants are the ‘in’ thing, the lives of a family who buy the latest model begin to unravel, whilst a retired engineer’s paternal relationship with his own Synth is threatened by a malfunction.

The first episode also features a cameo from Dan Tetsell as a synth salesman, and you read our interview with the marketing team behind the impressive Humans campaign over yonder.


Jonathan Strange & Mr Norrell, Sunday, 9pm, BBC ONE

© JSMN Ltd / Matt Squire

© JSMN Ltd / Matt Squire

Jonathan Strange & Mr Norrell – the riveting fantasy drama from from the makers of Doctor Who, Sherlock and Wallander continues apace on Sunday evenings, as we approach the climax of the seven-part series with the fifth episode.

This week, Strange (Bertie Carvel) and Norrell (Eddie Marsan) are at opposing ends of the spectrum. The former has returned home a war hero, and to the horror of the latter, resolves to write a book on ancient magic. But a sudden tragedy and a confrontation with Norrell force Strange to flee the country, determined to learn the truth about the fairy world, even if doing so costs him his sanity.

The impeccable ensemble cast, also featuring Marc Warren, Enzo Cilenti, Paul Kaye and Edward Hogg are on fine form once more, and if you’re not already watching the series, you really should catch up pronto. And if you are, and you’re enjoying it, you can pre-order the dvd and blu-ray release now from The Velvet Onion Amazon UK Store.


Horrible Histories, Monday, 5pm, CBBC

© Lion TV / Laura Rawlinson

© Lion TV / Laura Rawlinson

The new series of Horrible Histories continues on Monday afternoons, and this week’s big guest star is Doc Martin and Our Zoo actress Jessica Ransom.

Random plays Mary, Queen of Scots – the would-be ruler terrifying Tudor England with her romantic and political schemes. Following her as she stumbles from being a young girl in Scotland to a Queen in France, back to a Queen in Scotland, and finally to Elizabeth I’s arch enemy.

Away from Mary, we meet silver-nosed Danish scientist Tycho Brahe, and Mr H looks at more of History’s Craziest Fools. As ever, Simon Farnaby and Jim Howick are on hand, alongside Murder in Successville‘s Tom Stourton repeating his spot-on Brian Cox impression (last seen overlooking the corpse of Reese Witherspoon), in a more child-friendly environment.


Gadget Man, Monday, 8:30pm, Channel 4

© Channel 4

© Channel 4

Richard Ayoade is back as the Gadget Man in another instalment of the technology fun show.

This week, he tests out devices to improve life at work: including a solar briefcase that recharges your gadgets; a hand massager for soothing tired fingers; and a portable hammock for the feet.

He’s not alone, either. Comedian and presenter Dara O Briain helps investigate a giant interactive touchscreen, a zero gravity desk and a virtual reality office assistant, while journalist Grace Dent looks at gadgets designed for exercising in the office.


Man Down, Monday, 10:00pm, Channel 4

© Channel 4 / Shamil Tanna

© Channel 4 / Shamil Tanna

Kindness, they say, is a virtue, but nobody told Dan, as the second series of Greg Davies vehicle Man Down continues on Monday evening.

Another teacher, and rival for Miss Lipsey’s affections delivers a smash-hit school assembly as part of Community Week, so child-like Dan naturally conspires to top it all with a brilliant one of his own involving his drama class and a war veteran.

Meanwhile Jo (Roisin Conaty) is exploring her artistic side, while Aunt Nesta (Stephanie Cole) favours an upset Brian (Mike Wozniak) over her idiotic nephew. Oh, and there’s a cameo apperance by The Proclaimers for good measure.

Written by Greg Davis alongside Stephen Morrison (Anna and Katy, Good News) and Sian Harries (Here Be Dragons, Never Mind The Buzzcocks), further TVO pedigree of course, lies with producer Spencer Millman of The Mighty Boosh fame, but also with director Al Campbell (It’s Kevin, The Midnight Beast, Fit and Charlie Brooker’s various Wipe series). It’s also seriously bloody funny, so give it a watch, and pick up Series One if you haven’t already from our store.


Game of Thrones, Sunday, 2:00am & 9:00pm, Sky Atlantic

© Home Box Office Inc.

© Home Box Office Inc.

It’s the biggest show on television, and if you’re not yet watching Game of Thrones, there are a huge number of reasons for you to do so: not least of which are the appearances of a handful of TVO regulars in the show.

For a start, there’s Tony Way appearing as Ser Dontos Hollard in the second and fourth seasons. And whilst his character won’t be returning, there’s currently unused plot from George RRR Martin’s expansive novels which features Paul Kaye‘s character Thoros of Myr, and the show’s creators are remaining tight-lipped on whether that particular strand will be featured in their adaptation.

Far more likely to return, however, is Gemma Whelan as Yara Greyjoy: the commanding officer of the Greyjoy fleet, and tortured soul Theon’s closest relative. She was last seen (spoiler alert) trying to free her captured brother during last year’s run, but as fansite Winter Is Coming found out, Whelan’s agent suggested she would return in the fifth season. If that’s the case, with only two episodes left, you can expect to see her in Episodes Nine and/or Ten.

Of course, chances are if you’re reading this, you’re either going to be watching, or not, but if you aren’t yet, we firmly recommend you do as soon as possible. Sometimes, just sometimes, the hype is worth it, and there’s a box-set of the first four seasons on dvd and blu-ray in our store now.


There’s almost always a chance or two to see a TVO regular on stage, often in London, but occasionally up and down the country. Here’s where you can find them throughout the week.

© Adam Kay

© Adam Kay

Monday 8th June

Adam Kay, The Petting Zoo, LadyProv and Viv Groskop
The Alexandra, London
7:30pm, £11.00

Aisling Bea, Joe Lycett and Bridget Christie – Work in Progress
Aces and Eights, London
7pm, FREE

Tuesday 9th June

Adam Kay, Mark Watson and Maff Brown
Hampton Hill Playhouse, London
7:30pm, £13.20

Wednesday 10th June

The Comedy Store Players: Cariad Lloyd, Richard Vranch, Andy Smart, Ian Coppinger and Stephen Frost
The Comedy Store, London
6:30pm, £19.15

Friday 12th June

Ellie White, Harry Hill, John Kearns and Natasia Demetriou
Union Chapel, London
6:45pm, £22.00

Paul Foot
Baltic Square, Gateshead
7:15pm, £10.60


As always, there’s so much going on within the Velvet Onion, it’s easy to miss things. As well as our News pages, the best way to keep track is via our Twitter feed, so here are a few highlights from throughout the week gone by.

Two Toms in Successville – Exclusive Clip

3 Jun

BBC Three’s smash hit whodunnit gameshow sitcom hybrid Murder in Successville wraps up next Wednesday, and we’ve got an exclusive preview clip of the final episode to share with you thanks to the good folk at Tiger Aspect, who produce the show.

In the clip, DI Sleet (Tom Davis) has taken his new rookie partner, Louis Smith, to visit the morgue – where the body of murdered Lindsay Lohan is lying in wait for their investigations. On hand is mateymatemcmatey mortician, Richard Hammond (Tom Meeten), who, it transpires, is a bad, bad, (dog) man.

Murder in Successville concludes on Wednesday 10th June at 10pm on BBC Three. Previous episodes featuring Cariad Lloyd, Colin HoultDan SkinnerGemma WhelanTony Way and Harry Peacock are currently available on iPlayer.

Faces of Successville

1 Jun

If, like us, you’re enjoying BBC Three’s new game-show sitcom whodunnit hybrid Murder in Successville, you’re no doubt already looking forward to this week’s episode on Wednesday evening.

© BBC / Tiger Aspect / Ollie Upton

© BBC / Tiger Aspect / Ollie Upton

Starring Tom Davis on magnificent form as rough-n-ready DI Sleet, the series recruits a special celebrity guest each week to act as a rookie cop in training, following Sleet around to investigate the death of one of Successville’s celebrity inhabitants, which has invariably been caused by one of the other residents.

With big name rookies including Dermot O’Leary, Greg James, Jamie Laing, Deborah Meaden, this week’s guest Kimberly Wyatt and next week’s Louis Smith, press attention has understandably been focused on their guest appearances, and reactions to the gallery of grotesques who inhabit MiS weird and wonderful, partially improvised world.

Not us, of course. As we’ve been telling you for weeks, this is a TVO show through-and-through. Joining Davis in the series have been a cavalcade of impressionists and comic actors, including the brilliant Liam Hourican as Gordon Ramsay (and a spot on Simon Cowell in last week’s episode), as well as delightful turns from Jenny Bede, Luke Kempner, Nick Mohammad, Tom Stourton, Jason Lewis, Marek Larwood, Rachel Paris, Frances Barber and Nico Tartarowicz.

But also along for the ride have been Cariad Lloyd (as Darcey Bussell, Justin Bieber, Cheryl Fernandez Versini and Miley Cyrus), Colin Hoult (as Jimmy Carr, Gary Barlow), Tony Way (as Harry Styles), Harry Peacock (as Niall Horan) and in this week’s episode: Dan Skinner as top-notch surgeon Bob Geldolf, and Gemma Whelan as Nurse Adele.

The TVO connections continue with Tom Meeten appearing as Richard Hammond in next week’s final episode, and the whole run having been scored by Waen Shepherd. And surely we don’t need to tell you how fantastic they all are, considering we’ve spent the last five and half years doing just that on a regular basis, but we’ll do it anyway: they’re amazing, and make an already superb show even better.

We couldn’t let all these connections go uncelebrated, and as the series approaches its conclusion, we’ve bagsied some exclusive shots of our regulars from the good folk at Tiger Aspect, who produce the show, which you can see below.

So if you haven’t given Murder in Successville your full attention yet, we cannot recommend it highly enough, and urge you to take a look asap. All previous episodes are available on iPlayer now.  The second, featuring Greg James, might be our favourite one to date – we’ll never look at jammie dodgers the same way ever again – but every edition has lots to enjoy, and as episode one is only available until 9th June, when the 30-day rule starts to kick in, we suggest you get into that one while you can.

Episode Five, Dr Death, airs at 10pm on Wednesday via BBC Three, with Episode Six, Orangefinger, airing next week at the same time. We’ll bring you an exclusive clip of that episode later this week, so don’t forget to tune in and keep peeling.

Mighty Laughs In Melbourne – Reviews Round Up

19 Apr

If you follow what we do, you’ll be aware that a few of ‘our lot’ are currently gigging in Australia. So how are they being received by the critics?

To find out, take a look at our round up of reviews for Noel Fielding, Paul Foot, Tony Law and Sarah Kendall below (click on the links to read the full review). We’ve also come across a few new interviews on our travels around the World Wide Web, so we’ve included those too. Don’t say we don’t look after you…

© PaulpanfergramsNoel Fielding

Noel’s show has been getting as much praise from the critics as it has from his super-enthusiastic Antipodean fans. Across the board, reviews of An Evening With Noel Fielding have been superlatively positive:

The Music awarded the show 4 stars saying, “Highly recommended, and a strong contender for comedy gig of the year.” Noel received 4.5 stars from the Herald Sun, who said, “He owns the stage as if it is his loungeroom and we have somehow sneaked in via the kitchen.”

Then another writer at The Music awarded him the top 5 stars score, stating that, “Fielding is one of our improv greats, often just launching off on tangents left and right from the script and making them work.” And finally, The Sydney Morning Herald gave the show 4 stars, noting, “It’s pleasing to report that, over the course of two hours (plus interval) Fielding delivered.”

Go Fielding (x2) + Meeten!

If you haven’t got a ticket yet for one of Noel’s shows, there are a handful left for some of the dates. Take a look here to see what’s left – but be quick! UK folk can still get tickets for his tour later this year too – via the same link.

While you’re at it, why not have a listen to Noel in this new-ish radio interview too:


Paul Foot

Paul Foot has also been wowing the critics, with consistently positive reviews of his show Hovercraft Symphony in Gammon # Major.

The Age gave him 4 stars, describing the show as, “an exquisite symphony of jubilant madness as Foot conducts the crowd, cuing the audience’s laughter and silence to amplify his offbeat delivery and timing.” And Time Out also awarded him 4 stars, noting: “It’s utterly outlandish, but beneath layers of absurdity is Foot’s sharp eye for satire, laser-pointed at British suburbia.”

Paul will be in Melbourne until tonight (Sunday), before moving on to festivals in Sydney and Perth (then returning to Blighty for shows in May). For information about the gigs and to buy tickets, visit his show diary.

Tony Law

© Tony Law

© Tony Law

There haven’t been as many reviews of Tony’s show Enter The Tone Zone available online, but we’ve uncovered a couple of new interviews, by way of compensation:

Review-wise, however, The Herald Sun gave him 3.5 stars, describing the show as, “An antidote to the predictable, the overly slick and the highly polished….Enter the Tonezone is the perfect tonic.” Sounds good to us.

Interview-wise, Liza Dezfoulo from The Beat spoke to Tony about his approach to comedy – which you can read in full here, and he was also interviewed on film by Dan Watt, which you can see there.

His final Melboune show is tonight – at 8.45pm. A few tickets are still available, which can be procured here.

Sarah Kendall

We’ve uncovered a nicely considered and thoughtful review of Sarah’s current show A Day in October.  The reviewer says of her performance: “A story like this one needs to be detailed to be effective, and Kendall has a natural ability to be incredibly descriptive but still maintain a clear and succinct structure. Everything interconnects nicely, and makes for a compelling sixty minutes.” To read the review in full check out Squirrel Comedy.

Sarah’s final Melbourne date is also this evening – at 7.15pm. To nab one click on this.

You can also read a short interview with The Herald Sun, which you can read here.

© Eugene Hyland

© Eugene Hyland

Congratulations to all of the artists for garnering such positive reviews. We hope more than a few of you managed to get to see the shows yourselves (jealous, us?).


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