Archive | Alice Lowe RSS feed for this section

Onion Talking: Sarah Kendall on Touchdown

21 Feb
© Sarah Kendall

© Sarah Kendall / PBJ

Acclaimed stand-up comic Sarah Kendall returns to The Soho Theatre with the final run for her smash-hit show Touchdown this week, running from Tuesday 24th to Saturday 28th February.

With her follow up show, A Day in October, due to launch at the Melbourne International Comedy Festival in March, this felt like as good a time as any to finally book ourselves some time to talk to the gifted storyteller, masterful standup and full-time mother.

Editor in chief Paul Holmes caught up with Sarah to discuss about her career so far, and the effects her life beyond it have had upon her outlook, with the following insightful results…

At the turn of the millennium, Sarah Kendall made a huge decision. Already a regular on the Australian stand-up comedy circuit, two years after her initial flurry of success, she packed up her bags and moved to England. By 2003, she was ready to take on the Edinburgh Fringe, rubbing shoulders with the likes of Flight of the Conchords, Gary Le Strange and Adam Hills. The following year, she was nominated for the Perrier Award’s main category of Best Show alongside Chris Addison, Reginald D Hunter and winner Will Adamsdale (best known internationally for his role in The Boat that Rocked).

As the years went by, Kendall built on this initial success, gaining a cult following through heavy touring, countless festivals, and numerous, award-winning live shows. In 2008, she stretched her wings and took on sketch-show comedy, with a role in the short-lived E4 show Beehive, and has spent the last four years voicing Libby McKenzie alongside Sally Philips, Nina Conti and Liza Tarbuck in the long running Radio 4 comedy Clare in the Community.

Recent years, however, have seen Kendall’s extra-curricular activity dry up, as she became a mother and, quite naturally, shifted her workload accordingly.  As TVO calls, she is in her London home with the kids tucked up in bed and a slightly burnt warm-up shepherds pie in the oven. Greeting us fondly, and stressing she isn’t the kind of person to make her own  shepherd’s pie, she confirms her eagerness to talk by exclaiming: “I’m going to stop doing the dishes and give you my full attention. That’s how serious I am, I’m walking away from the dishes. Fire away!”

© PBJ

© Sarah Kendall / PBJ

Naturally, the conversation turns firstly to motherhood, and TVO wonders exactly how having children has changed Sarah’s career plan. “Gosh, that’s a good question,” she says, thinking about the answer for a moment. “It’s a really big answer too. I suppose I’m not really at my sparkiest late at night, so you know, most gigs…” She trails off, laughing. “I generally need to go on early. I can’t do a late night. And I can’t do huge amounts of travel, either. I don’t wanna be away for weekends. I don’t wanna be away for a week, you know? It’s changed the practicalities of work.”

“But I think from a creative perspective,” Sarah continues, “when I do get that time to myself, and I do get that time on stage, I really wanna make it count. I suppose I don’t fuck around as much as I used to. Cos I suppose when I have got that time to work, and to be creative, it’s actually really special ‘me’ time. God, I really relish it. I think when my day wasn’t quite as occupied looking after little people, I’d just go and do a gig and not really think much about it. Now I wanna make that time count. I wanna do the very best material I can do.”

That material at present is Touchdown – the 2014 show she toured around Melbourne International Comedy Festival and the Edinburgh Fringe amongst other places, and is reviving for one last shebang at The Soho Theatre across the last week of February.  As with her previous show, it focuses on particular events in her teenage years, rather than Sarah’s life at present, a factor which may be a subconscious reaction to having to grow up and take responsibility for what Sarah endearing refers to as ‘little people’.

“Also, I think,” she suggests, “I don’t want to get on stage and talk about what I’m doing now. That’s only because if I went on stage and whinged about it, it wouldn’t be right. I don’t want to whinge about it, but I also don’t want to stand on stage and say how much I love my children. That’s not particularly hilarious.”

“I’ve been looking into different times of my life,” she adds, “reflecting on them, and thinking about them differently.  I suppose to me, I do regard those years quite differently now that I’m a mother. The thing is, that sounds really boring, but it changes your perspective on the whole time. I find that creatively it’s really energising. I really enjoy writing about it.”

© PBJ

© Sarah Kendall / PBJ

Kendall’s comedy has morphed from its early days of quick-fire stand-up into a more intelligent, thoughtful brand of storytelling that connects with anyone who was ever the slightly awkward kid that didn’t quite fit in, but wasn’t unpopular either. The gags are obviously still there, but it’s wrapped up in intellectual reasoning, emotional resonance, and the odd moment of childish humour for good measure.

“I think, ultimately, I’m a little bit of a whore for a laugh,” Sarah reveals. “Anyone who goes into comedy has to be. I don’t like to leave it too long without one. My training is as a stand up, so I do always look for the gag. I try not to do that at the expense of the story.”

“If it didn’t fit with where the story was at, I wouldn’t do it. But I try to make it a punchy show. I don’t think I’m precious about that sort of thing. I do want people to laugh and have a good time.”

If there’s one thing Kendall could never be accused of, it’s being precious about her work. There’s a remarkable freshness to talking to someone who, unsullied by the PR machine that affects so many in the industry, is completely open and honest about her work, right down to the point of Touchdown’s premise being the reality behind the fabrication of her previous show.

“I had this joke that I’d been doing for years,” Sarah discloses. “I knew in my heart what the real story was, but I’d made it into a good joke. I’d always been slightly plagued by the fact that there is a much bigger story behind it, but I didn’t know how to tell it. I didn’t think it belonged in a comedy show. Then I just thought: sod it. I’m gonna write about what really happened because it is a good story, and an important story. It means a lot more to me now that I’m older, and now I know how to tell it, and I’m not afraid of the serious or silly parts of the story. I think if you do something that’s got a bit of a darker edge to it, you’ve gotta be confident that you can treat it respectfully enough that you’re not gonna panic and try to make a joke out of it.”

© PBJ

© Sarah Kendall / PBJ

“It was a surprise for me,” she notes, in regards to Touchdown’s now deconstructed predecessor, Get Up, Stand Up.  “I enjoyed telling that story every single night I performed it. Generally during a festival there comes a point where you say: if I have to say these words one more time, I’m gonna fucking kill myself. I found that with this show, I never got to that point. I really enjoyed taking the audience on that journey.”

Thankfully, Touchdown offered a similar vibe. “This is my favourite show that I’ve ever done,” she states, firmly. “I was really crestfallen at the end of the festival because I kinda felt it was over. I knew I’d probably do a run at the Soho, but it felt kinda like the end. By the time I did Edinburgh, I’d already done quite a few other festivals, so I knew that was the end of that festival circuit. And I was quite sad.”

TVO notes that, given how precious Sarah’s time has become, this feeling may have been intensified, and it’s something that we’re seeing more and more of. When we began, five years ago, our thirty-something regulars were still riding high on their initial flurry of success, gigging around the clock and constantly making new and exciting things. Recently, there’s been a marked slow-down in the activity of some of them, as they’ve reached the age of having babies and settling down, just like Kendall.

“I suppose you kind of go through this huge sea of change when you have a family,” she suggests. “You do start to look back on events with fresh eyes. It can be a good and a bad thing. Sometimes you go: Ah, shit, I wish I hadn’t done that thing. I really regret that thing that I did.”

Such feelings came to the fore last year, when Kendall wrote a piece for The Guardian about her somewhat flippant handling on stage of a genuinely disturbing moment in her career, when a drunk heckler threatened her with anal rape at a gig. Whilst the routine was funny, as time went by it had increasingly made her feel uncomfortable.

“I hate looking at clips of myself,” Sarah confesses. “Someone sent me that clip and asked for permission to use it, and as I watched that piece of material, I was so struck by how untrue the emotions were that I was portraying on stage. That’s something that would never have entered my mind ten years ago. I would have just gone through and made sure all the jokes were strong without offending people. But I just thought: That is so not what happened. That is so not emotionally what that experience was like, and I have brought none of that to that piece of material. I think it would have been a much more interesting piece of material if I had discussed that.”

© Tiger Aspect Television

© Tiger Aspect Television

Another potentially difficult blip on her career came with the hugely divisive E4 sketch show Beehive in 2008. Designed by committee, it nevertheless gave a platform to Kendall on television, alongside Alice Lowe, Barunka O’Shaughnessy and Clare Thomson. TVO has previously waxed lyrical about the merits of the show: in spite of its obvious flaws, there’s a hell of a lot to love in there too.

“I haven’t watched it since we did it,” Sarah tells us as conversation moves on to the troubled production.  “It was incredibly rushed, from the commission to filming. My memory of it was thinking: This has been rushed. It was four people who’d never met each other, thrown into an ensemble and given a fairly small amount of time to turn a show around.  It’s one of those things where I did it as an opportunity, but in hindsight it could have been a lot better had we had more time. Knowing what I know now, I probably would have had a heck of a lot of alarm bells going off as it progressed.”

Kendall is genuinely touched by our admiration for the team, and the bits that worked really well, such as her magnificent Elizabeth I routine, in which Sarah portrayed the monarch surrounded by bullying lackeys, or the flat sequences with swearing lessons, special robots, love affairs with pot plants and confusion over Spiderman’s true identity. Sadly, the show was buried by E4 before it even had a chance to build an audience, splurged onto television across a couple of nights with no advertising, and never repeated.

© Tiger Aspect Television

“I don’t really know how it happened,” she sighs, “or how it works. I don’t understand who decides these things, but it just felt rushed through. I had a really good time doing it though. I loved working with Alice, Clare and Barunka. They’re such powerful, funny women, and it was such a pleasure to work with them. I don’t want to piss anybody off, but it just didn’t feel like it had a lot of backing.”

Despite the circumstances of its troubled production, Beehive did allow Kendall a break from being ‘herself’ when making people laugh. TVO is curious if she’d do something similar now, given her present work/life balance. “God, that’s a good question!” she explains, and thinks for a moment.  “I think when I was younger I would say yes and just fuck it and see. I think now it would have to be something that I’m really passionate about, because I don’t have a huge amount of spare time. It would have to be something I could really put 100% of myself in. I’d be slightly more selective at this stage.”

The one bonus of the show was that It introduced Sarah to a whole new set of collaborators – some of whom she has continued to work with sporadically whenever possible. In 2010, for example, she played a fellow mum in My First Baby – the Jackal Films short featuring Rich Fulcher as Alice Lowe’s very oversized toddler. A few years later, she cropped up in James Bachman & Tom Meeten’s BBC Nought project, during a spoof on The Apprentice. Evidently, she’s still a part of the family, even if her time with them is sporadic at best.

© Jackal Films

© Jackal Films

“We don’t see each other as much as we used to when we had more spare time,” Kendall explains. “Certainly, not as much as I’d like to. The funny thing about London is you kinda get into your borough. But they were people I really learned so much from working with. There were such a variety of skillsets that were brought to Beehive. I felt they were all quite accomplished actresses, whereas I didn’t come from that background, so every day was a learning curve.”

Thankfully, in this internet age, a buried show doesn’t have to stay buried forever. The dvd release still chugs away on Amazon, the episodes are still viewable on 4oD, and TVO will occasionally bring it up. It still finds an audience. “It’s extraordinary,” Sarah states. “It doesn’t happen very often, but occasionally I will get someone recognising me from Beehive, which is just really weird to me. It kinda got buried over three days on television, and yet it does still happen. It’s nice that you don’t live and die by whoever does the programming.”

Nevertheless, the show is firmly behind Sarah Kendall. Her comedic concentration right now, beyond remembering the finer points of Touchdown, is writing her 2015 show, A Day in October. Set to premiere at the Melbourne International Comedy Festival at the end of March, the show will tour the festival circuit before arriving in Edinburgh throughout August. To that end, Sarah’s already seemingly come up with an enthusiastic manta, when the subject of the new show is brought up.

“March 27th is opening night,” she says, rigidly. “The show will be finished by opening night. I will have a show by March 27th.”

As laughs erupt on both sides of the phone, TVO inquires as to how close that process is to becoming a reality. “I would say a third of the way into the writing process,” Sarah reveals. “I think I have a fairly confident idea of where the story is. It’s another story about my teenage years. It’s about a friendship I had with a guy and we went to a pool party one October, and the show is about the knock-on effect that pool party had on us throughout the rest of his life and my life.”

© Sarah Kendall / PBJ

With the deadline looming, it would be understandable for many comics to leave some of the details hazy, and let them arrive naturally as the show goes on, but not for Sarah. “This show and the last were quite heavily written shows,” she affirms. “There aren’t patches where I fuck around with the audience or bits where I think I’ll ad-lib that on the night. Because they’re stories, you do have to bring all the disciplines of storytelling to it. You do have to have structure, and you do need to have a big thing happening in the third act. All those things you don’t have to think about when you’re doing a standup set, but I find with a story if you just let it happen you can end up with a spectacular mess on your hands. I do tend to write them quite carefully.”

There’s also the potential weight of an unwanted baton to consider. To TVO, and we’re sure to a great many people – a comedian is a comedian, and that’s that. Yet as the debate about women in comedy continues to bubble to the surface, there’s an alarming amount of pressure put on female comedians to be funny for their gender, rather than their vocation.

“I think I used to feel that way,” Sarah considers. “But I think things have got so much better. I’m not saying they’re ‘good’. We’re nowhere near a situation that is equal. But things are so much better than where they were twelve years ago, even though they’re not great. I take real heart in the fact that I’ve seen more and more female talent coming through as the years have gone by. And it’s great female talent I’m really proud to work with and associate with. I do think it’s challenging, and it’s still there, but I think it’s unfortunate, but the media do play it up.”

“On the live circuit,” she continues, “people are out in the club and they want a laugh, and you will get bad audiences and the occasional knob heads, but generally speaking they just want you to be funny. The real problems I’ve faced and have seen, are really in media circles, and tv commissioning, and the people who book talent for shows. The live circuit isn’t really the problem, but there are people who genuinely seem to not want women on television.”

© Sarah Kendall / PBJ

© Sarah Kendall / PBJ

Male comics, TVO notes, are judged purely on their ability as comics. Female comics, however, are judged as ‘female comics’ for good measure. Sarah agrees, and adds: “I also think with social media there are a lot of voices. The really negative voices tend to get heard a bit more. For a hundred thousand people to go: She’s really good, she’s really funny, you’ll get a small proportion of people who just say something really vile, and that draws more attention.”

Not that Kendall will have seen most of this online, as the last few years have seen her maintain a relatively low profile. “I didn’t mean to!” she protests, laughing. “Our Twitter conversation today is the first Twitter conversation I think I’ve ever had.”

TVO explains that, if it wasn’t for Patrick Bustin at PBJ (the management company who handle a sizable chunk of our roster) casually mentioning her Twitter profile, we would have no clue that Sarah was even on there – and we take extra care to try and make sure we’re following everyone we need to in order to keep tabs on events.

“Oh yeah,” she says firmly, and a little guiltily. “Look, I know. I have been so not interested, and so busy. But I was talking to another comic who said: You really need to sort your shit out on that front, cos you’re off the grid man. I thought: Oh, really? I just sort of had my head buried in the sand for five years. I’m learning it, and you know, I’m gonna have to just get in there and do it.”

“It’s extraordinary, though,” she continues. “You do a couple of tweets, and suddenly you get all these pinging noises, and suddenly you’ve got twelve or thirteen new followers, and I just think: What the fuck? To me it’s very curious. It’s a very interesting, weird experience. And I know there are a lot of people who can’t remember a time before it, but I happen to be a billion years old.”

One thing that Kendall does have a lot of time for, however, is Jaws 4. No, really.

“I don’t know why,” she says, as she tries to justify the number of times she’s sat through it.  “I think I just like watching really good actors in terrible films. It’s like a schadenfreude thing. I just really enjoy seeing Michael Caine in this explicably awful movie. I can’t look away. I really like good actors in shit films. It’s like my favourite genre. It makes you feel better about yourself too.”

“I saw a movie with Henry Fonda in it called They Swarm, about bees attacking civilisation. It’s this great actor in this really weird horror film, where he’s being attacked by bees. I love it. It’s a fantastic film, I enjoy it thoroughly. Everyone’s just pulled together to get the product finished. I love that. I like the nose to the grind attitude. They’ve just thought: We’ve gotta bring this thing to life, and we’ve only got 50p. Let’s just use the car park. Fuck it.”

That attitude enthuses Sarah’s work, but is matched by her perfectionism and professionalism, and above all else, her genuine charm as a personality and a performer. As TVO bids her a fond farewell, so she can get back to her dishes and shepherd’s pie, we can’t help but feel that we’ve just spent a good half an hour being delighted by her company, and as a comic whose livelihood depends on storytelling, that can only be a good thing.

Sarah Kendall: Touchdown is at the Soho Theatre between February 24th – 28th 2015. Sarah Kendall: A Day in October is at the Melbourne International Comedy Festival between March 26th to April 19th 2015. Sarah will be at the Edinburgh Fringe in August 2015. For more info on future live dates, keep an eye on her Twitter page… hopefully!

Hot Brew Are Bursting Back On Stage

20 Feb

Another live act that brings out the positive superlatives in us will be performing in a couple of week: new-wave folksters Hot Brew!

The musical comedy couple, Oona & Crispin Wheatflake (who look remarkably like Alice Lowe and Antony Elvin) will be taking the stage at Artburst, 18 – 20 London Lane, E8 3PR, on Friday 6th March.

It’s difficult to describe how funny and tuneful the vegetable-obsessed pair actually are, so why not take a look at their set from TVO Live a couple of years ago, below? Suffice to say, they brought the house down:

Also appearing on the Artburst bill are Ben Harris (writer for Vic & Bob), Holly Burn (TV2’s Bad Bridesmaid), Twisted Loaf (winners of the Funny Women Award 2013), Robin & Partridge, James Shakeshaft, friend of TVO Harry Deansway, That Pair, James Hamilton and MC Tom Hensby.

Tickets for the evening cost £15 (available here), and the money raised will be going to help Artburst with its charitable endeavours. Artburst is an award winning social enterprise providing creative educational workshops that improve the lives of young people and their families. You can read more about the brilliant things they do here.

RIP Charlie Philips

6 Feb
© Charlie Philips

© Charlie Philips

The Velvet Onion would like to extend our sincere condolences to the family of Charlie Philips, who died earlier this week.

A BAFTA winning editor for his work on Sherlock, Charlie’s editing career began in 1996, with the Ben Elton penned sitcom The Thin Blue Line starring Rowan Atkinson, Mark Addy and Mina Anwar.

Philips was, however, perhaps defined by his work with director Matt Lipsey on a string of the most widely acclaimed comedies of the last fifteen years, which amongst them manage to include a huge number of the names we feature on these pages.

First working together on The Armstrong and Miller Show, the duo then worked on Lenny Henry in Pieces before being charged with bringing the twisted world of Julia Davis and Rob Brydon’s superlative Human Remains to life in 2000.

The following year, the pair began their first collaboration in the form of Dr. Terrible’s House of Horrible - a comedy horror anthology in the style of Hammer and Amicus movies of yesteryear, which featured an appearance by Julia Davis alongside Mark Gatiss, Honor Blackman, Warwick Davis and Armstrong & Miller.

This was followed by Catterick - the seminal comedy drama from Vic Reeves and Bob Mortimer, which co-starred Matt Lucas and Reece Shearsmith amongst others. They then joined this creative team, alongside Steve Coogan once more for sketch show Monkey Trousers, followed by a sitcom for Coogan’s new character, Saxondale, co-starring James Bachman.

© BBC

© BBC

After short-lived sitcoms The Cup and Lunch Monkeys, came Psychoville - the sublime comedy mystery saga from Reece Shearsmith and Steve Pemberton, which ran for two series featuring Lipsey & Philips at the helm.

The duo then worked on Chris Brann & Justin Chubb’s bonkers treat, This is Jinsey - co-starring Alice Lowe, no less, across two series either side of Psychoville‘s second run, as well as helming the first series of Greg Davis & Rik Mayall vehicle Man Down - produced by another TVO regular, Spencer Millman.  Sadly, these would mark their final collaborations.

Away from Lipsey, Philips also worked on Tittybangbang and the sixth series of Shooting Stars , as well as editions of Rev and Russell Tovey vehicle Him & Her, as well as the pilot episode of Psychobitches.

© BAFTA

© BAFTA

He moved into drama with mini-series Vexed, and followed that with work on Monroe and five episodes of Sherlock: the latter of which won him a BAFTA Craft Award in 2011.

Details of Charlie Philips outside of his work are limited, and it’s currently unknown exactly how he died. However, he has left behind an extraordinary body of work that has shaped the British Comedy scene for almost two decades, and will no doubt continue to do so in the years to come. He will be missed.

Thanks For The Memories

5 Feb

Celebrating our 5th birthday this week has caused us to get a wee bit nostalgic. So we thought we’d collate some of those “Do you remember when?…” reminiscences into a Best of the first 5 years of TVO. It’s not a comprehensive overview of everything we’ve done, more a subjective account of a few of those ad hoc moments that made us feel warm, fuzzy and just a bit excited.

The favourite moments are different for all of us; sometimes it’s the memory of the event behind the article; sometimes it’s because we nailed an exclusive or wrote something that generated a huge amount of traffic for the website (one post last year generated over 13,000 unique visits in one day, fact fans!), and often it’s the buzz of being able to share something new, exciting and special with you, our readers. So here are a few of the happenings which have brought a smile to our faces over the past 5 years: 

Paul

© Paul Holmes

© Paul Holmes

There are so many glorious memories to treasure. There’s one particular Forgery Club that will forever be in my mind, presented by Hot Brew, and featuring a rare performance by Brown Jenkin (Colin Hoult & Stephen Evans), an appearance by The Mighty Thor and loads more. We were sat talking to Steve Oram before the show, and he noted that he’d never made it big because he liked to do things that broadcasters don’t know what to do with… then went on to give the audience an epic, ten minute long version of “Mary“. To this day, I can’t get a cab in London without thinking: “I will not go South of de river.”

I was particularly proud of the Mongrels takeover in November 2011, as various people being very busy meant I did that one pretty much solo, but was riddled with a genuine (and full blown) flu after arranging interviews with the whole cast and creator Adam Miller! I managed to salvage the interviews, strike up positive relationships with every single one of the team I spoke to which continue to this day, and fix up a wodge of behind the scenes stuff AND a competition to win DVDs of Series One, despite being unable to stand up or focus on a screen for more than a few minutes at a time. If you click here and scroll down, you can see everything.

Another good one to mention is Zimbani, which came to my attention early on in the life of TVO, when Dave McNeill & Colin Hoult emailed me to enthuse about their new show featuring Julian Barratt. It was the first time anyone had come to me direct outside of casual chatter, and really began expanding our world for the first time. Colin later made my partner, and occasional TVO designer, Lauren, get down on all fours and pretend to be a pig in front of Simon Amstell. Now that was a strange moment.

Then again, there’s many of those. Getting accidentally lost for a moment in a strange building behind the London Palladium with Isy Suttie at a screening of Alice Lowe‘s People Place. Similarly, getting trapped in a lift with Mike Fielding and an old lady who refused to let anyone else press the buttons to get us out of this chaos. And then there’s that strange bar James Wren led a motley post-Spank crew along to that felt like something out of a Bond film, somehow managing to stay glamorous at 3am. It’s been a funny old time.  But above all else, it’s just been nice to be welcomed into the fold of this wonderful group of friends and collaborators, and be trusted to give them everything I can to help their work reach a wider crowd. Let’s keep doing it, eh?

Mog

Having been involved in TVO since the very early days makes picking a favourite moment is a real challenge – but this one was pretty special: In 2011 Dave Brown was putting together Noel Fielding‘s art book Scribblings of a Madcap Shambleton. They needed one last thing to finish it off before it was sent to the printers, and they contacted us to provide it. We were able to offer our readers the opportunity to have a photograph of their faces painted over by Noel and included in the book. A double page spread of your lovely faces appeared in the book when it was published, alongside the caption ‘MY TINY CHILDREN’. A wonderful show of their appreciation for the fans, and something which we were delighted to facilitate on their behalf.

© Noel Fielding/Dave Brown

Our Sightseers take-over was pretty special too (click here and scroll down). We had no idea it would become such a cult hit at the time, and it was great to be able to support so many of ‘our lot’ (Alice Lowe, Steve Oram, Richard Glover Tom Meeten) with a week of exclusives.

© Big Face Productions

On a personal level, getting to know a few of the people who we write about – and discovering that they’re damned nice people as well as being unbelievably talented – has been a privilege.

A particular high point has been getting to know Hoppo. Introduced to me at Club Fantastico as “the only man to have survived Old Gregg”, John Hopkins turned out to have a TVO pedigree as long as his (long) arms, being part of the original Ealing Live gang and having worked with half of the people that we cover. He’s also lovely. If you don’t know who he is, we urge you to read our interview/profile about him and check out his stuff.

Helen

There are lots of brilliant moments I could mention, but as a fan of Hayden Black, it’s been a pleasure getting the chance to spread the word about him. I guess I’ve become our resident expert on Hayden’s creative and comedic output; take a look at this to find out more.

Paulyne

The moment that stands out in my mind is Fulchfest (Rich Fulcher‘s legendary comedy night in Kentish Town). I’d say that was the most fun I could have. This Pete Heat video that we filmed summarises it perfectly:

I’ve also had some brilliantly fun nights at Dan Clark gigs – often with Mog. Here’s a review of one of them.

© Mog

Aggie

I think my favourite moment is the Zappa Plays Zappa gig at the Camden Roundhouse, with The Mighty Boosh Band as support. Being surrounded by odd men with moustaches while weird music was playing… and then rushing across town to a Rich Fulcher gig – where all the familiar faces already were. It was a perfect blend of what started it all and the new direction TVO had pushed us all in.

Rosanna

Seeing the Boosh warm-up gigs in 2013 was great, and it was lovely going to Soho Theatre as part of the TVO team. It was brilliant to see them on stage together again, in a lovely small venue, with the magic between them there as if they’d never gone away. The review was great too!

I loved going to see the Inside No. 9 preview at the BFI. It’s now one of my favourite pieces of TV and seeing it in the cinema was really special.

Michael

Being involved in filming TVO Live was one the most fun shoots I’ve done, but also the toughest because it was so difficult holding the camera still due to my laughter! We couldn’t have wished for a better line up. Fingers crossed for a TVO Live 2!

Trixie

My favorite TVO memory is of when I interviewed Rich Fulcher in LA. I hadn’t done anything like it before, and he was so funny and generous! I admire Rich so much, and it was wonderful that he was everything he seems to be and more. A truly funny man.

Becca

The Luxury Comedy coffee competition was great, because it encouraged people to create something artistic. And I loved the series of Noel Fielding interviews to celebrate his birthday, which featured questions from our readers:

So there you have it – a sprinkling of very happy memories from a few of us. A big TVO thank you to the artists who we write about, who have provided us with these highs and who make it all possible. And thanks too to you, for being interested enough in what we do to come with us on our journey to the outer reaches of the comedy universe. It’s been quite a ride so far…

See Our Favourite Comedy Faces On The Silver Screen

29 Jan

© Rachel Stubbings

A brand new film night, presented by Rachel Stubbings, comes into being next month at Shortwave Cinema (10 Bermondsey Square, SE1 3UN).

Shooting the Breeze will include films from some of the most exciting comedy talent behind and in front of the camera, including many TVO faces.

This month’s screening will include work from Alice Lowe, Steve Oram, Tom Meeten and Gareth Tunley, amongst others. Given the sheer awesomeness of the filmic output from this little lot, you’re in for a treat!

Stubbings will host the evening and will guide you through a carefully selected collection of all things film – from new releases, selected scenes, screenplays and guest speakers.

Tickets for the event, which runs 7.30-8.30pm on 23rd February cost £7 (+70p booking fee) and can be procured here. For updates on what’s what between now and then, check out the event Facebook page.

Inside No. 9 – Cast For New Series Announced

17 Jan

© BBC

Production has started on the second series of Steve Pemberton and Reece Shearsmith‘s darkly comic Inside No. 9 –  and a whole host of new faces are being welcomed in, including a couple of TVO-connected folk!

Alice Lowe and Paul Kaye will be appearing in the show, along with Sheridan Smith, Jack Whitehall, Alison Steadman, Claire Skinner, Jane Horrocks, David Warner, Julie Hesmondhalgh, Mark Benton, Tom Riley, Jim Howick and Michele Doctrice.

The first series featured performances from TVO-ers, Katherine Parkinson and Julia Davis.

As with series one, Pemberton and Shearsmith will star, and each episode will follow a different story set in a No.9 location, “where the ordinary and mundane rub shoulders with the extraordinary and macabre,” according to the producers. Series two will include episodes set in a sleeping car on a French train, a seance in a grand Victorian Villa, a 17th century village and a volunteer call centre.

Pemberton and Shearsmith have said of the new series: “We are delighted to be handing over the keys to six new No. 9’s; we hope they will amuse, shock, horrify and surprise… but not necessarily in that order. “Once again we have enjoyed working with some of the best comic talent in the country. Now we are getting old, it’s nice not to have to play all the parts.”

The new series will air later this year.

So Hot Right Now #13

12 Jan

Welcome to The Velvet Onion – the central hub for an interconnected range of alternative comedy and more.  Click through for the LATEST NEWS, and see what’s so hot right now below.

DRUNK HISTORY

Over on Comedy Central UK, a brand new British version of Drunk History is about to begin – in which popular faces from the UK comedy scene get hammered, then try and share their knowledge of the past.

© Comedy Central / Tiger Aspect

© Comedy Central / Tiger Aspect

Based on the hit US show (which has sporadically featured Rich Fulcher), this first edition week features stand-up Rob Beckett tell the story of Henry VIII, which is then re-enacted by Mathew Horne, Tony Way and Tom Davies. Also on board for Episode One are Rebecca Front (Psychobitches), Dustin Demri-Burns (Cardinal Burns), Marek Larewood, Joel Fry, Mark Davison and Kerry Howard.

You can catch Episode One on Monday evening at 10pm. It gets repeated Tuesday evening at 11pm, and it will be available on demand via SkyGo and Now TV after transmission. For more info, and some preview clips to savour, visit the Comedy Central UK website.

CRIMS & COUNT CONTINUE

The latest episodes of BBC Three sitcom Crims and BBC One sitcom Count Arthur Strong air this week.

 © BBC / Robert Viglasky

© BBC / Robert Viglasky

Crims - written by former Mongrels writer Adam Kay alonside Dan Swimer - stars Elis George & Kadiff Karwan as two hapless friends in a Young Offenders Institute, surrounded by guards and inmates even more stupid than they are.

In this second episode, Luke (George) tries to impress his girlfriend on the outside by getting himself an A-Level… enter the delightful Sylvester McCoy as a bonkers Latin teacher.

If you missed Episode One, it’s available on iPlayer now, and our interview with Adam Kay can be read over yonder. Episode Two airs on Thursday at 10pm over on BBC Three.

© BBC / Freemantle Productions

© BBC / Freemantle Productions

As for Count Arthur Strong, the Graham Linehan co-written series returns to BBC One on Tuesday evening, as the former variety star recalls his teddy-boy days in an unreliable flashback that takes in West Side Story, Oliver! and The Great Escape.

With a guest appearance from Kevin McNally (Pirates of the Caribbean), you can catch up with Arthur and friends on Tuesday evening at 10:35pm over on BBC One.

SECOND TIME AIRWAVES

Radio shows featuring TVO regulars also continue apace this week, starting with Love in Recovery, on Radio 4 starring Paul Kaye.

© Karla Gowlett / Lucky Giant

© Karla Gowlett / Lucky Giant

The show following the lives of five very different recovering alcoholics, played by Sue Johnson, John Hannah, Eddie Marsan, Rebecca Front and Paul Kaye, as well as cleaner Marion (Julia Deakin), continues on Wednesday evening at 11:15pm on BBC Radio 4.

Elsewhere, Colin Hoult brings us another edition of his Carnival of Monsters on Thursday evening.

© BBC

© BBC

The show features a combination of new material and vintage pieces from Colin’s seminal Edinburgh shows, and reunites the team behind those via supporting artists Stephen Evans, Dan Snelgrove and Zoe Gardner, produced by Sam Bryant (Alice’s Wunderland, I Regress).

You can catchup at 11:00pm on Thursday night – again on Radio 4.

BEAR IN THE USA

This weekend sees the US theatrical release of Paddington - the feelgood family movie from the makers of Harry Potter and director Paul King.

© Studio Canal

Starring Hugh Bonneville, Nicole Kidman, Peter Capaldi, Jim Broadbent and Julie Walters, as well as former Nathan Barley star Ben Wishaw as the voice of Paddington, the film (as we’ve previously reported) features a bevy of TVO related cameo appearances.

Steve OramTom MeetenAlice LoweSimon FarnabyJames BachmanJustin Edwards and Matt Lucas all feature, as do former Star Stories actor Matt King, The Thick of It actor Will Smith and Toast of London‘s Danny Boy himself – Tim Downie.

AND THE REST…

As always, here’s some of the news you may have missed during the last week, via our Twitter feed. We’ll see you again next Monday, and throughout the week for more news, reviews and interviews. Keep on peeling!

So Hot Right Now #9

8 Dec

Welcome to The Velvet Onion – the central hub for an interconnected range of alternative comedy and more.  Click through for the LATEST NEWS, and see what’s so hot right now below.

THE RETURN OF BRIAN PERN

© BBC / Rory Lindsay

© BBC / Rory Lindsay

This week sees the long awaited return of Brian Pern to our screens, in the brand new series Brian Pern: A Life in Rock.  As always, the show is the brainchild of Fast Show veterans Rhys Thomas and Simon Day, the latter of whom plays the titular prog-rock legend turned hapless world music pioneer and obscure charity fundraiser.

Whilst the first series, The Life of Rock with Brian Pern focused more on telling the story of rock across the generations in documentary format, the second shifts its tone to be more of a candid look at the life of Brian, and those around him.  This includes his luxury yacht loving manager John Farrow (brilliantly brought to life by Michael Kitchen), world music goddess Pepita (TVO regular Lucy Montgomery), Brian’s former bandmates in Thotch (including Paul Whitehouse and Nigel Havers as Pat Quid and Tony Pebble) and his driver Ned (Tony Way).

© BBC / Rory Lindsay

© BBC / Rory Lindsay

Also along for the ride this series are big name guest stars Martin Freeman, Jack Whitehall, Kathy Burke, Roger Allum, Kevin Eldon, Chrissie Hynde, Mel C, Roger Taylor, Roy Wood, Rick Parfitt and more. TVO devoured all three episodes in one sitting, and can confirm this is a joyous continuation of a much loved character, with a wonderful set of supporting characters filling out his world, and once more – some glorious tunes (courtesy of Steve Burge) in the mix.

You’d be mad to miss it. And if you tune in to BBC Two on Tuesday evening at 10pm, you won’t.  Stay peeled this week for an exclusive interview with creators Simon Day & Rhys Thomas, and maybe a word or two from Brian Pern himself…

COMEDY COLLAB

© Colin Hoult

© Colin Hoult

If you haven’t caught up with Colin Hoult‘s unique blend of dark humour and outright silliness yet, you’ve probably not been reading TVO properly. First coming to our attention via his work with Julian Barratt & Dave McNeill on Zimbani, the character comedian has crafted numerous sell out live shows and appeared on our screens in shows as varied as House of RoomsDerekLife’s Too Short and Being Human.

Now he’s back with some of his most beloved live favourites, preparing for an onslaught of sheer characterness on his own YouTube channel.  Five days a week, Colin will be posting a new vlog from one of the strange people in his mindtank, starting today!

Mondays will bring us a new video from the delightful (if failed) actress Anna Mann, whilst Tuesdays are a chance to get some expert tips on survival, scriptwriting and what movies you must all watch on pain of a poke in the eye, from Ninja Turtle fan Andy Parker.

On Wednesdays, everything will be coming up Saint Germain, as we get a little jazzy with our favourite beret wearer, Eddie Cartizian. And on Thursdays, its time for care in the community, as the Mighty God Thwor weilds his powerful hammer in our direction. Bang, bang.

© Colin Hoult

© Colin Hoult

Finally, each Friday will bring us a surprise guest from Colin’s oeuvre, including new characters and old favourites – some of whom you may remember from his excellent radio series Carnival of Monsters, which is due back on Radio 4 soon. You can see the first episode, featuring Anna Mann discussing her old actress friend Miriam Crotch below, and don’t forget to subscribe to see more!

ONIONS AIRING

© Talkback / Brian Ritchie

© Talkback / Brian Ritchie

As we’re keen to keep reminding you, there’s a large bevvy of shows currently airing with TVO connections.  Monday nights see not one, not two, but three new shows to savour beaming into your homes: Trollied on Sky One at 8:30pm featuring Aisling BeaNever Mind the Buzzcocks on BBC Two at 10pm, featuring Noel Fielding alongside Phill Jupitus and Rhod Gilbert; and Toast of London on Channel 4 at 10:35pm, featuring Matt Berry.

©  Sky

© Sky

But wait – there’s more on telly this week! Psychobitches continues on Sky Arts every Tuesday evening, featuring Sharon Horgan, Katy BrandReece Shearsmith and many many more, whilst Not Going Out featuring Katy Wix returns to BBC One on Friday evening. It’s a good time to be an Onioner, eh?

HOOKED TO THE SILVER SCREEN

Don’t forget that Paddington - directed by Paul King and featuring a host of TVO cameos amongst is big-name cast – is currently wowing the crowds in UK cinemas, having taken a whopping £5.1 million in its opening weekend alone!

© Studio Canal

Alongside Hugh Bonneville, Julie Walters, Peter Capaldi, Nicole Kidman et al, are little sneaky guest appearances by Alice LoweSteve OramTom MeetenJames BachmanSimon Farnaby and Justin Edwards – so you’d be mad to miss it.

Also out at the moment are Bill Murray vehicle Saint Vincent, featuring Chris O’Dowd, and a film which almost sneaked past our radar – submarine-based action thriller Black Sea starring Jude Law, Tobias Menzies, David Threlfall and Michael Smiley. US readers can see the film, alongside Paddington in January. Check out the US trailer below.

THE BRAIN SUCKING CONTINUES

Finally this week, the campaign to get a movie version of The Day They Came to Suck Out Our Brains off the ground needs your help to reach its goal, and we’ll leave you with this clip of TVO regular Stephen Evans to explain why.

DONATE HERE!

Keep on peeling, and we’ll see you back here soon!

TWEETS YOU MAY HAVE MISSED

So Hot Right Now #8

1 Dec

Welcome to The Velvet Onion – the central hub for an interconnected range of alternative comedy and more.  Click through for the LATEST NEWS, and see what’s so hot right now below.

ST VINCENT AND THE BEAR

© 2014 Sony Pictures

© 2014 Sony Pictures

This week sees the UK release of St Vincent – the new Bill Murray film about a young boy whose parents have just divorced who finds an unlikely friend and mentor in the misanthropic, bawdy, hedonistic war veteran (Murray) who lives next door. We’re telling you about it because the film also features Chris O’Dowd as a priest/teacher. Have a look at the trailer below to see what it’s all about. The film is released in the UK on Friday (5th December).

Don’t forget, Paul King‘s movie adaptation of Paddington featuring an all-star cast and cameos from Alice LoweSimon FarnabySteve Oram and Tom Meeten is still in UK cinemas, so do go and see it if you haven’t yet!

©  Studio Canal

© Studio Canal

Nicole Kidman, Hugh Bonneville, Julie Walters, Peter Capaldi, Jim Broadbent and former Nathan Barley actor turned Bond movie star Ben Wishaw lead the cast, with Kidman, Bonnerville & Walters turning up on last week’s Graham Norton Show to publicise it. You can catch up on iPlayer here.

TVO ON AIR

The current runs of TVO favourites continue apace this week, with Never Mind the Buzzcocks, Toast of London, Psychobitches, Trollied and Not Going Out all airing new episodes throughout the week – and available via catchup services after transmission. Here’s a pic from tonight’s Never Mind the Buzzcocks to keep you going.

©  BBC/Talkback/Brian Ritchie

© BBC/Talkback/Brian Ritchie

Also this week, the voice of Rich Fulcher can be heard in The Regular Show on Cartoon Network. The episode is called I Like You Hi (season 5, episode 26), and Rich is the voice of the answering machine and smoke signal. The episode will be repeated regularly on the channel so keep a look out for it.

For more on the show, visit the Cartoon Network website now.

NORMAN

© Lauren Taylor / The Velvet Onion

If you missed it last week, the brand new Gary Le Strange single, Norman (I’ve Dropped My Cup Of Tea) is available for download now via iTunes, Amazon, and CD Baby, and is also up for streaming on Spotify. You’d be insane to miss it. Grab a copy over yonder.

It marks the first completely new Le Strange material from Waen Shepherd since Beef Scarecrow in 2006, following the character’s revival in 2012 at Club Fantastico and The Velvet Onion Live, and the release of the ‘lost’ EP Glamoronica last year. Judging by the strength of Norman, which we’ve had on repeat at TVO Towers all week, forthcoming material is going to be stonking!

THE JAZZ MEN

A couple of years ago Julian Barratt made a surprise appearance on stage with Tenacious D at their Hammersmith Apollo gig. At the time all we had by way of evidence were a couple of blurry photos and videos. New footage has been published by Peter Kyriacou, which shows what happened from back stage and front of stage – so we can have a proper look at their freeform performance of ‘Simply Jazz’.

Click on our news post to see the video!

AND THE REST!

As always, there’s so much going on, that we’re using Twitter to keep you informed quicker these days. Join the other 11,900+ of our regular readers by following us there, and get regular updates such as these:

Steve Oram Tells Us How

26 Oct

© aceshowbiz

Steve Oram will be one of the speakers at this week’s Cofilmic Festival, which takes place in Manchester on Tuesday 28th and Wednesday 29th October 2014.

A number of reasonably priced workshops and panels have been organised over the two days of the Festival, which are likely to be of interest to comedy writers, performers, producers and directors.

Steve will be speaking at the session ‘Script to Screen: Feature Films’, which takes place at the Comedy Store in Manchester on Wednesday 29th at 17:30. Tickets are £5/£3 and can be procured here. He will be talking about the making of Sightseers, which he co-write and starred with Alice Lowe.

Other guests at the talk include Celine Coulson from Film 4 and Kristian Brodie from Agile Films who will explain how they work with new and emerging comedy feature film makers.

To see the full programme of events across the two days visit the Festival website.

Wear Your Favourite Film

11 Oct

© Last Exit to Nowhere

Over the years, we’ve had the privilege of seeing a few of the people that we write about appearing in some pretty awesome films. But what’s been missing until now is the ability to wear creative interpretations of those films emblazoned across our chests. Not any more…

Last Exit to Nowhere is a small collective of film enthusiasts and creative designers. They  collaborate to create unique hand screen printed T-shirts that pay homage to memorable places and characters in cinema history. And we’ve uncovered some great designs with a TVO flavour:

A personal favourite is this design on above (awesomely titled “Death has a ginger beard”), which pays homage to Ben Wheatley‘s Sightseers (written by and featuring Steve Oram and Alice Lowe, just in case it’s managed to pass you by). It’s available in regular and slim fit for £20 by clicking here.

You can also have the pleasure of wearing another Wheatley-directed film on your body, in the guise of this A Field In England t-shirt, also £20. Or a Hot Fuzz-inspired design like this ‘Neighbourhood Watch Alliance’ design.

If you needed any further TV-connected reason to pay the site a visit, Chris O’Dowd fans can also express their love of Cuban Fury by donning this El Corazon Cuban Salsa Dance Club tee for the princely sum of £20.

 There are a ton of other cool designs too – including mugs and posters…so get in!

Comedy In The Buff (Not Quite)

7 Oct

© Effra Social

Every so often a new comedy night springs into being which we know is going to be awesome. And here’s one that promises great things!

Comedians In Swimsuits is a weekly comedy club that takes place every Thursday at Effra Social (89 Effra Road London SW2). The list of regulars that will be appearing at the club reads like a who’s who of TVO: Tom Meeten, Alice Lowe, Katy Wix, Rufus Jones, Lucy Montgomery…the list goes on!

Katy Wix will be on the bill at this week’s inaugural night, along with Lou Sanders, Lee Kern, David McNeill and Sophie Black. It all kicks off at 7.30pm this Thursday and it’s FREE – so don’t be late, or you might not get in. Exciting stuff!

For more information and to keep tabs on future evenings, follow the event Facebook page. Please be aware that comedians may not actually be in their swimsuits…

What’s The Crack? 10pm Tonight!

24 Sep

The long awaited second series of Crackanory starts these evening on Dave, and as is often the case, it comes with a bevy of TVO regulars on board.

© Dave

Comedy legends Vic Reeves and Rik Mayall (in one of his final performances) tell the first two stories in the anthology saga’s sophomore run, both of which are written by prestigious comic talents you’ll have seen us mention a fair few times before.

In Space, No One Can Hear You Clean is written by Nico Tatarowicz, whose previous TVO related credits include Tittybangbang, Mr and Mrs Fandango, Otherworld and the sublime The Second Second Coming.  ISNOCHYC is his third Crackanory tale, and is double billed here with The Weatherman by TVO regular Tony Way.

With a top-notch cast featuring Simon FarnabyAlice LoweSteve Oram and Tom Meeten, this opening episode couldn’t become more essential viewing if it tried.  Oh, wait a minute – Waen Shepherd has composed the music for the whole run yet again. Are you convinced yet?

Later episodes in the run will feature Katherine Parkinson and Kevin Eldon, alongside David Mitchell, Simon Callow, Emilia Fox, Meera Syall, Warwick Davies, Ben Miller, Sue Perkins, Johnny Vegas, and Ruby Wax – whilst Eldon joins Alex Kirk, Holly Walsh, Ali Crockett, David Scott, Melissa Bubnic, Katherine Jakeaways and Toby Davies on scriptwriting duties.

So set your DVR’s, or switch your telly to Dave tonight and lose the remote – because the next few Wednesdays are going to be fun fun fun.  You can see a trailer for the series below.

Gold After Dark

7 Sep
© gold.uktv.co.uk

© gold.uktv.co.uk

UKTV Gold are running a new late night strand at the weekends. Starting on Friday (5th), they are “celebrating the very best in dark humour and cult comedy classics every Friday, Saturday and Sunday from 11pm”.

There are a lot of TVO related people and shows, starting with the reason most of you are here: The Mighty Boosh will be shown on Friday nights at 11:40pm. It’s been a while since the show has been on TV, and I’m sure, like us, even though you have worn out your DVD’s, you’ll be tuning in!

Of course there’s nothing dark about our favourite show, but that can’t be said for the next TVO related offering – Nighty Night starts it’s run at 11:40pm tonight. The show, written by and starring Julia Davis, is described as “a West Country Fatal Attraction”, and also stars Kevin Eldon, Mark Gatiss, Ruth Jones, Angus Deaton and Rebecca Front among others. If you like watching your comedy from behind the sofa then this one is for you. It’s not for those of a nervous disposition, but is very funny once you get over how nasty Jill is.

Gold are also showing another Julia Davis dark comedy. Human Remains is written by and stars Julia and Rob Bryden as six different dysfunctional couples. The first episode follows Nighty Night at 12:35 tonight.

Today at 11pm sees the first episode of The League of Gentlemen (maybe the picture gave you a clue!). As you probably already know, this was the work of writer/performers Mark Gatiss, Steve Pemberton and Reece Shearsmith, and writer Jeremy Dyson. This one is definitely in the ‘dark’ category, but also very funny.

Saturday at 11.40pm is The Thick of It, starring Peter Capaldi, Chris Addison, Justin Edwards, Jo Scanlan, James Smith, Roger Allam and Alex McQueen. This is a dark political satire, with some laugh out loud moments.

Also on Saturdays at 1am is  The Smell of Reeves and Mortimer, starring Vic Reeves and Bob Mortimer. Best just watch it and see what happens.

Also scheduled is 15 Storeys High, a flat-share comedy written by and starring Sean Lock and Benedict Wong (The IT Crowd), straight after The Mighty Boosh on Fridays.

To see the full schedule and more information about the programmes, see the Gold Website.

Crackanory 2 – Starting Soon

3 Sep

As we mentioned last month, the second series of Crackanory, the popular storytelling series on Dave, features a story read by the late, great Rik Mayall. The iconic comedian reads The Weatherman by TVO regular Tony Way.

It has now been confirmed that this will be the first story of the new series, alongside a story read by Vic Reeves called In Space No One Can Hear You Clean.

As in the first series, each half-hour episode contains 2 stories, narrated by guests and illustrated with either live action or animated sequences.

Katherine Parkinson will also read a story, and series 1 veteran Kevin Eldon, has written his second story for the series and will also make an appearance in Man’s Best Friend written by Alex Kirk.

Other stories will be read by  David Mitchell, Simon Callow, Emilia Fox, Meera Syall, Warwick Davies, Ben Miller, Sue Perkins, Johnny Vegas, and Ruby Wax; all providing their vocal talents to dark and intriguing stories written by comedian Holly Walsh, Ali Crockett and David Scott, Nico Tatarowicz, Melissa Bubnic and Katherine Jakeaways, and Yonderland scriptwriter Toby Davies .

The new series starts on Dave at 10pm on 24th September and you can see the new trailer below. If you missed the first series of funny, twisted tales then they are all available on demand from Dave.

 

Rik’s Crack To Air Next Month

8 Aug

The second series of much loved anthology show Crackanory will air next month, and features an episode narrated by the late Rik Mayall, written by TVO legend Tony Way.

© Dave

© Dave

Freeview channel Dave, which airs the series, was unsure if they would air the episode until they received the blessing of Rik’s family.

The episode entitled The Weatherman was filmed shortly before Mayall’s untimely death in June, and TVO can exclusively reveal that the story he tells through his wraparound segments features long-standing double act Steve Oram and Tom Meeten, also known for their work on Sightseers and Luxury Comedy, respectively.  Also on board is fellow SightseerAlice Lowe.

Tony Way, star of Mongrels, Game of Thrones and Tittybangbang, said simply that writing the episode was “a flipping honour”.

Past episodes of the series, featuring Sharon Horgan, Kevin Eldon, Alex Kirk, John ‘Willie’ Hopkins and Oram & Meeten on screen,with score by Waen Shepherd and two episodes directed by Gareth Tunley, are available to watch now on the UKTV website.

Series Two, featuring The Weatherman alongside episodes by Eldon, Toby Davies and Holly Walsh, will air next month, and feature Katherine Parkinson, Vic Reeves, David Mitchell, Meera Syall, Warwick Davies, Ben Miller, Sue Pergins, Johnny Vegas, Ruby Wax, Emilia Fox and Simon Callow.  We’ll bring you transmission details as soon as we get them.

Alice Lowe Gets Dangerous (For 2 More Days!)

21 Jun

© Jackal Films

Alice Lowe played the lead role in a recent episode of Dangerous Visions, the Sci Fi drama series currently airing on BBC Radio 4.

Dangerous Visions is a series of eleven radio dramas which offer clever, imaginative and disturbing takes on what the future might hold. Alice can be heard in The Bee Maker, which is described as “a dark and cautionary tale about our busy technology-filled lives.”

The action takes place set in 2020 when the bees are nearly all gone; the threat is that humans might be next. Alice plays the part of robotics expert, Deborah, who creates artificial bees in order to help pollinate fruit trees across the world. But then a strange phenomenon strikes mankind – people start getting lost. It happens slowly, people lose their way, forget where they are. But before long society starts to crumble.

If you’re reading this, we’re guessing that sounds like your cup of tea…

The 45 minute episode is available in iPlayer here for a further 2 days – so be quick!

To find out more about the Dangerous Visions series visit the BBC’s website.

 

 

Wee Paper People

1 Jun

Regular readers of TVO might remember Paper People – cut out and keep paper models of your favourite TVO folk. We’ve just revisited the site and there are many, many more characters for you to cut out and keep. How many do you recognise from the pictures below?

If you can’t wait to get your hands on your own Wee Paper People, all you have to do is click on the website, download your favourites then print and assemble. Assembly instructions are on the site.

If you want something more personal, the creator of all these fantastic models, Sally Grosart, can make personalised little people of your friends and family, or personalised cards or banners. To contact Sally and see the rest of her creations click here.

Three Cornettos To Go, Please…

9 Apr
© Big Talk

© Big Talk

This week marks the tenth anniversary of Shaun of the Dead being released in UK cinemas, and to celebrate, director Edgar Wright has made the scripts to all three parts of his Three Cornettos Trilogy available to download for free.

Each film in the series – Shaun…, Hot Fuzz and The World’s End - has links back to TVO, as Wright and stars Simon Pegg and Nick Frost are frequent collaborators with our regulars, and are always in our peripheral vision being amazing.

Shaun of the Dead was the world’s first rom-zom-com, and starred Pegg & Frost alongside Kate Ashfield, Dylan Moran, Lucy Davies, Penelope Wilton, Dylan Moran and Peter Serafinowicz.  It also featured cameos from Spaced veterans Jessica Hynes, Michael Smiley and Paul Kaye: the latter pair playing zombies, with Smiley in his Spaced attire.

Hot Fuzz followed in 2007, and alongside Pegg & Frost were Timothy Dalton, Edward Woodward, Jim Broadbent, Olivia Coleman, Rafe Spall, Paddy Considine, Adam Buxton and two TVO regulars: Kevin Eldon and Alice Lowe.

Lowe – whose film Sightseers had Wright on board as executive producer – also cameoed in last year’s The World’s End, which again featured Michael Smiley, alongside Reece Shearsmith, Martin Freeman, Paddy Considine, Eddie Marsdan, Rosamund Pike, Pierce Brosnan and our very own Steve Oram.

All three have rightly taken their place in the pantheon of legendary British cinema, and now you can download the scripts for each film as interactive PDFs containing stills, storyboards and video clips… completely free!

© Big Talk

© Big Talk

© Big Talk

© Big Talk

© Big Talk

© Big Talk

But hurry, these may not be around forever.  Pick them up via Edgar’s official website over yonder now!

All three films are also available on dvd and blu-ray from The Velvet Onion Amazon UK and US stores.

Experiment At The Invisisble Dot

5 Apr

© The Invisible Dot

Strap in, because there’s going to be a wave of TVO-connected artists appearing at The Invisible Dot over he next few months!

 ‘Experiments’ is a new series of monthly  shows that sees a collection of established performers come together to comedically experiment.

Here’s the confirmed line-up for reach show so far, with ‘our lot’ helpfully highlighted in bold type:

13 April: LUCY BEAUMONT, DAVID MILLS, BENJAMIN PARTRIDGE, HOT BREW & more
18 May: WHELAN, DAVID REED, LYNDSAY SHARMAN, KEVIN ELDON, MATTHEW CROSBY & more
15 June: BRIDGET CHRISTIE, PAT CAHILL, HARRY DEANSWAY, ELLIE WHITE, LOLLY ADEFOPE, & more.

Although, strictly speaking, Harry Deansway isn’t one of ours, he’s a top bloke and has hosted a myriad of comedy nights for TVO folk over the years – so do check him out!

Tickets for each show cost £8 and the gigs start at 7pm. For more information and to book tickets visit The Invisible Dot’s website.

Check out Hot Brew’s appearance at TVO Live (they are awesome. Fact):

Follow

Get every new post delivered to your Inbox.

Join 3,078 other followers