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The Peterford Golf Club

15 Nov


Early last month we told you about the revival of Peterford Golf Club, this time as part of Radio 2’s Comedy Showcase.

The show, now called The Peterford Golf Club) written by and starring Simon Farnaby, was broadcast at 10pm on Tuesday evening, with a repeat tomorrow at 10pm. It also starred Barunka O’Shaughnessy, Lucy Montgomery and Tom Meeten.

It is of course also available on BBC iPlayer.

Next weeks Comedy Showcase also has a few TVO connections. The King’s Men is written by Arthur Matthews alongside  Terry Mynott (Toast of London), who also stars in the show with Robert Webb.

The two main characters are policemen Ernest Ridley and Arthur Smyth. The lifelong friends are asked to join the new Secret Service in London, after discovering what they believed to be a German plot to invade The Isle of Sheppey.

Also in the cast are Katy Wix, Ellie White and Alex McQueen.

The show will be broadcast on Tuesday at 10pm on Radio 2  and is available now on BBC iPlayer.

There is another TVO connected Showcase available now and due to be broadcast on Wednesday. Ankle Tag stars Katy Wix and Ellis James as new parents whose lives are interrupted when his Dad appears unexpectedly, wanting to stay.

The episode also features Alice Lowe and is available now, again on BBC iPlayer.

2015 British Independent Film Awards Nominations

5 Nov
© Rook Films

© Rook Films

The nominations for the Moët 2015 Independent Film awards have been announced, and we’re delighted to note that there are a couple of TVO-connected productions shortlisted!

Steve Oram‘s comedy horror Aaaaaaaah!, which features a cacophony of TVO talent has been nominated for The Disovery Award. It will be competing with Burn Burn Burn, Orion: The Man Who Would Be King, The Return and Winter. You can see trailers for all of those shortlisted in this category here.

This isn’t the first time Steve has enjoyed success at the BIFAs; in 2012 Sightseers picked up seven nominations, with Steve, Alice Lowe and Amy Jump picking up the winning gong for Best Screenplay for the film.

Amy Jump also features in this year’s list of nominations, for her screenwriting for High Rise. Directed by Ben Wheatley, High Rise has picked up four mentions overall in the 2015 list.

To see the full list of nominations take a look at this. The winners will be announced on 6 December at a ceremony at Old Billingsgate, London. In the meantime, congratulations to everyone shortlisted – particularly to ‘our lot’!

A Caravan, A Bear, And Housewife Horror: Alice Lowe Talks To The Velvet Onion

30 Oct
© imdb

© imdb

A few weeks ago we published Part 1 of our interview with Alice Lowe, in which she spoke about the third series of Alice’s Wunderland, which recently aired on Radio 4. In Part 2 of our interview, below, Alice talks to us about her other comedy projects – past, present and future – and the highs and lows of a career in the arts.

Alice and I meet shortly before she is due to stand in front of a cinema full of North London feminists and try to convince them that Glen Close’s character in 1987’s Fatal Attraction is a feminist icon. I wish her luck. Her chosen topic provides us with a few clues about what makes Alice Lowe tick: (1) She sees the world differently to most people; (2) She’s not the type to choose the the easy path; and (3) She has a special place in her heart for female villains.

“You don’t get many female villains,” Alice offers by way of explanation. “Political correctness has made people scared of portraying women negatively, so what you end up with are really boring characters for women, with no personality.” Here here!

© Press Association

© Press Association

One of the most high profile villains which she herself has played is Tina in Sightseers, the 2012 film which was both a critical and box office hit, seeing Alice and co-writer/co-star Steve Oram being courted by the great and good in the world of film. “Even now I’m still surprised – I think ‘did that happen?’ I’m not used to success – I’m used to doing my own stuff and no one giving a shit!” she laughs.

“For me it was a relief. As a comedian, you believe you should be getting a sitcom or your own show off the ground at some point. Both Steve and me were feeling like we hadn’t done our thing. It was a relief to have finally done something where you’ve made your mark.”

Sightseers was a long time in the making, with the characters of Tina and Chris having been developed several years before they were committed to celluloid. Alice describes the final production of the film as “a lot of lucky things coming together”, like the involvement of director Ben Wheatley, who was hot at the time (Mighty Boosh director, Paul King, who was originally linked to the project, was unable to direct the film because of his Paddington movie commitments at the time).

“People are generally looking for reasons not to make films,” Alice explains. “Because there isn’t enough funding for all of them. There needs to be something really special to get a film over that final hurdle and green lit – like a producer who’s had a lot of success or a director who can sweep it along.”

Right now she’s busy with a fast-turnaround film project, her directorial debut feature, provisionally titled Prevenge. The part-improvised film is best described as a ‘post-feminist revenge movie’ and features Alice as a pregnant woman on a killing spree (Alice herself is currently seven and a half months pregnant, so thankfully there will be no need for anatomically suspect padding). The mystery at the centre of the film is who she’s killing, and why.

Shooting starts imminently in Cardiff with a Welsh crew, who Alice describes as “a great team”, with her pregnancy providing the extra impetus to make quick progress. I ask whether any TVO-connected artists will be part of the project. “There will be a good few familiar faces on the film,” she says.  Watch this space…

Not one to put her feet up, Alice is also working on another film project, which she describes as “a dark comedy horror about a housewife”, inspired by the likes of Rosemary’s Baby and The Shining, films in which domestic situations become the premise for horror. She’s been working on it for a couple of years, hacking her way through the funding jungle which surrounds independent film making.

© Toy Drum

© Toy Drum

As she is for Prevenge, Alice will be taking writing, acting and directing credits. I ask her how she manages to juggle so many different,  significant roles within one production. “To me it doesn’t feel weird to be doing all of them,” she replies. “You wouldn’t say to a songwriter ‘Are you also going to sing this song? Are you also going to play the guitar?’ It’s just the way I approach what I do – it’s a more holistic thing; I’ve been lucky to be able to work in that way.”

“The people I tend to admire have a similar holistic approach to everything they do – people like Kate Bush and Bjork. I don’t think it’s that weird and I don’t think it’s that difficult – it’s hard work but not impossible.” She adds.

In fact, taking on several key roles on a project like this has its advantages, as Alice explains: “I could have put another actress in it, but it would have meant finding another person, making sure they understood what I was trying to do, making sure they were available. Then I thought hold on, I’m available! And I’ll be there on set every day, because I’m directing it.”

Alice in Sherlock © BBC

Alice in Sherlock © BBC

She notes that another benefit of writing, directing and acting is the confidence that it gives her as a performer: “When I’m acting other people’s stuff I can have huge doubts about my performance. But when I’ve written it I know exactly what it is, heart and soul. I understand it inside out. It’s something that’s not about words – it’s about a feeling. Getting someone else to that level of understanding is much harder.”

Furthermore, using non-comedy writers, directors and actors in comedy films can sometimes negatively impact on the humour quota. “People need to understand that they can trust comic talent to put laughs on the screen,” Alice notes. Indeed, we can all recall ‘comedy’ films which have failed for exactly this reason – because the studio chose household names over the people who know how to generate proper laughs.

Success and failure in comedy is a hot topic at the moment, with a number of unique, innovative projects from the wider world of comedy failing to land or being cut off in their prime. With ratings now the be-all and end-all for TV shows, the relationship between creative talent and commercial success can be hazy at best. It’s a situation that irks Alice: “In the past you would do a series, win some awards and your ratings would naturally go up. But one ‘trophy series’ isn’t enough any more – the second series has to get more. If your ratings stay the same or go down, they (the TV & film execs) think ‘what’s the point?’ So if you’ve done one film that isn’t huge you might never get to make a film again.”

We talk about one of the biggest recent movie successes from a TVO-connected talent – Paul King’s Paddington movie. A phenomenal critical and commercial success story, Paddington followed Paul’s low key first feature, Bunny & The Bull. Although loved by many critics and adored by fans of our kind of comedy, BATB failed to make its mark at the box office. It could have meant the end of Paul’s feature film career, but then Paddington came along; and the rest (as they say) is history. It would be a shame if second opportunities like this aren’t available to film makers in the future.

© Studio Canal

Alice in Paddington © Studio Canal

Paddington features a long list of TVO artists, including Alice herself. “It was a really nice thing that he did,” she explains, referring to Paul’s approach to making the film. “He got in a lot of his old theatre and comedy buddies to do read throughs. So before all these huge stars were attached to it I was reading Nicole Kidman’s part! Then he kept us on for all the small parts, even though he could have cast bigger names, or used the usual suspects, but he didn’t – he cast us lot!” Alice is full of praise for the final film, noting how Paul’s production flourishes raise it several notches above standard Hollywood blockbuster fayre. “It’s so good it feels effortless, but I know how much work Paul put into it.” She seems genuinely proud of him.

© Mog/The Velvet Onion

Club Fantastico © Mog/The Velvet Onion

Although Alice is focusing on film projects at the moment, I ask her whether she has plans to take to the live circuit again in the future. “Whenever I do it I’m absolutely terrified, until I do it again – and then I love it.” she says. “And I go ‘why don’t I do this all the time?’…then I don’t do it for a while and I get the fear about doing it again!”

“But I’m in my element on stage,” she explains. “You get the immediate impact and you have to think on your feet. If something’s not working you push it until it does, until you get that laugh – and I really enjoy that.” She pauses for a moment, then adds. “When people find out I do comedy they ask if I do stand up and I start to wonder if maybe I should. But stand up is a bit like chatting – and I can just do that anyway with my friends. My friends are really funny.”

Having spent an hour in Alice’s company discussing the vagaries of the world of entertainment, it’s clear how frustrating the rules of the game can seem to her. She has a natural tendency to question and challenge the status quo, and her place within it. She never comes across as grumpy, although she worries that she does; instead, hers is the drive to keep asking why?, or sometimes why not? It’s an attitude that seeps into her comedy and that of her peers; artists who subvert the norm and show us a different way of looking at the world, a different way of doing things.

“The people who are doing weird stuff seem to be older,” Alice observes. “The hot young things aren’t allowed to do surreal comedy. We had this natural punk ethos…” She checks herself and laughs, “Oh dear – I’m making myself sound really cool, and I’m not! It’s just the era that we grew up in; you naturally rebelled against it. And now you look at youtube and there’s someone talking about lipstick or cake. That’s what people want to watch now.”

As a fellow Generation X-er, I’m inclined to agree. And with that Alice bravely heads off to persuade a room full of Crouch End feminists to rethink everything they previously believed about 1980’s cinema.

© Channel 4

© Channel 4

The Velvet Onion would like to thanks Alice for her time. We wish her the best of luck with her many forthcoming projects!

Out On Mondaaaaaaaah!

17 Oct

If you’re a regular reader of The Velvet Onion, you’ll know that we’ve been getting more than a bit excited about Aaaaaaaah!, the comedy horror from Steve Oram, which stars a bevy of TVO faces. And now we can get excited again – because from Monday everyone will get the chance to see what all the fuss is about.

The film is available to pre-order from iTunes here for £9.99, and from Monday 19th you’ll be able to find it on a variety of other VOD platforms from FrightFest Presents, including Virgin Movies, Blinkbox, Google Play, Amazon, Xbox Video, Wuaki, Talk Talk and Volta. Thoroughly recommended!

In the meantime, why not occupy yourself with this podcast interview with Steve about the film:

If you’re a fan of Aaaaaaaah! and you haven’t wandered down these parts for a while, why not read our interview with Steve himself and our review of the film. And keep an eye out for our profile about one of the film’s stars too, which will be coming your way very soon…!

Hot Brew Live!

30 Sep
© Jimmy Crippen

© Jimmy Crippen

We love Hot Brew, so we were particularly excited to hear the news that they’re performing live again, after a brief hiatus.

The vegetable-obsessed prog folk duo will be playing at Stroud Valleys Artspace (4 John Street, Stroud GL5 2HA) on Friday 23rd October. Tickets are £5 in advance from Trading Post or £6 on the door (door at 8pm).

For those of you who haven’t encountered Oona and Crispin Wheatflake yet, we urge you to seek them out; they were one of the highlights of our live show a couple of years ago, and you can see why from the footage of their brilliant set below.

You may also notice that they bear an uncanny similarity to Alice Lowe and Antony Elvin, but rumour has it that this is entirely coincidental. We remain a tad unconvinced, however…

Here’s hoping that this one-off gig in the west country develops into more!

For more information visit the event Facebook page.



29 Sep

© Rook Films

The good folk at Rook Films have released a limited screen print run of the Aaaaaaaah! movie poster.

There are only 100 copies of the five-layer print made to celebrate Steve Oram‘s directorial debut. In case you’ve missed it, the film stars Oram alongside a cavalcade of TVO regulars: Noel FieldingJulian BarrattTom MeetenWaen ShepherdTony WayAlice LoweShelley LongworthWaen ShepherdSean Reynard and John Hopkins.

Also along for the ride are the brilliant Julian Rhind-Tutt, Holli Dempsey and the legendary Toyah Willcox.

We’ve sung the film’s praises, and a lot of you have fallen in love with it already. Now thwack a bit of it on your wall for good measure, while you still can!

Wunderful Alice: An Interview With Alice Lowe

20 Sep


A wee while ago Velveteer Mog was lucky enough to spend time with the lady we refer to as TVO’s fairy godmother, Alice Lowe. They met to talk about Alice’s various creative projects – past, present and future, and the wider world of comedy in general. Here we bring you Part 1 of the interview, which looks at Alice’s fantasy comedy radio series, Alice’s Wunderland, currently airing on Radio 4:

Alice Lowe is marvellously multifaceted, both in terms of her professional creative output and her general persona. When you first meet Alice, her friendly girl-next-door-ness immediately lulls you into thinking she’s the type of person you’d take home to meet your Mum; someone you might have gone to school with. As the conversation progresses, however, little bubbles of naughty rebelliousness start to emerge from her butter-wouldn’t-melt smile, occasionally punctured by moments of genuinely sinister oddball-ness. If you spend more than a few minutes with her, you begin to see the shadowy shapes of the darkly comic off-kilter characters and story lines that she dreams up. Alice’s Wunderland is one such project, an audio-based fantasy world, “a place in the Nether Regions, the manky Poundland of magical realms”.

© Mog/The Velvet Onion

© Mog/The Velvet Onion

I ask Alice how she approached the leap from stage, TV and film to radio. “I was worried when I did the pilot, because I thought I was a totally visual comedian. It was always about my facial expressions and my physicality. But this made me think in a different way. I love music, so I took that as my start point.” she explains. “A lot of people who do something for radio think it needs to be about words. While words are important, I wanted this to have a poetic quality to it; I wanted it to be about rhythm and music and soundscapes and atmosphere.”

Alice taps into her live performance experience in order to help her imagine the worlds that her characters inhabit: “I can see the environment that I’m in. If I’m acting on stage I’m imagining a setting, and this is the same thing. It’s what I love about radio shows; you can transport people to strange places. You can say ‘we’re on the moon now’ and we’re on the moon. Aural comedy is visual comedy.”

For the new series, Alice considered whether she should make any major changes to the Wunderland concept. In the end she chose to evolve it slightly, rather than fundamentally shift gear. “I know this show and I knew what I wanted to do with it next.” she says. “We’ve made it a bit more narrative this time: each episode is a story in its own right, with one main character – and each episode has a different main character. It was really good fun, because each one is like a silly little adventure.”

Now in its third series, how does Alice feel about its success? “A third series! I never thoughts I’d be saying that, ” she laughs. “People find it hard to believe I have a radio series on Radio 4!”

© Jules Heath

Behind the scenes on Sightseers © Jules Heath

Although said entirely un-selfconsciously, it’s a comment that carries meaning. Alice is one of many artists that we write about at TVO who continually innovate, entertain and inspire with their talent and creativity. Like the others, she has enjoyed periodic mainstream success, but deserves much more.

I ask her why this is and what she thinks binds the group together: “I think it’s because we’re this weird inter-generation.” She explains. “There was a point when BBC3 stopped being about alternative comedy and became more about youth comedy. But none of us were quite young enough to fit into that category! We weren’t the hot young things, but we weren’t comedy establishment either.”

With BBC3 focusing on the younger end of Gen Y and Channel 4 no longer the proud home of alternative comedy, many of the group were left without a TV springboard for their output, still the primary channel for mainstream comedy success.

“We all had to find our own way instead,” Alice explains, “And the way we did that was working with each other and helping each other out [indeed, Alice’s Wunderland features fellow TVO folk Richard Glover and Rachel Stubbings]. All of those people are so creative, but you can get put in a little box on TV. It can hamper the creativity of what you do.”

TV’s loss is radio’s gain, as Alice’s Wunderland continues to weave its wonderful web of the bizarre and bonkers on our airwaves. The first episode of four, featuring the gloriously silly Lady Bowie, is available on iPlayer here (for a further 25 days). Episode 2, which features “the ghost of a child who died in the 1970s” will air on Radio 4 at 11pm on Tuesday 22nd September. So tune in (and drop out).

© Jimmy Crippen

© Jimmy Crippen

Many thanks to Alice for taking the time to chat to us about he new radio series. Look out for Part 2 of our interview, coming soon, in which she talks about Sightseers, the joy of playing baddies, and her other new projects.

Wunderland Returns

16 Sep

We’re late. We’re late. For a very important date. No time to say Jasaaaaaaaaaaaaaaaaaaaaaaan, we’re late, we’re late, we’re late!

© Lewes Herriot

Yes, it’s not often we’re behind the times, but somehow, a bubble in the Onionverse caused a rift in the comedy continuum yesterday, and everyone involved with the long awaited Series Three of Alice’s Wunderland forgot to tell you it was back on the air at 11pm last night!

In fairness, both Alice and TVO managed to sneak in a ten minute warning on Twitter, so well done to any late night Tweeters who caught it and tuned in.

For the uninitiated, the radio series, which began life as a 2011 pilot before full series runs in 2012 and 2013, features Alice Lowe as a variety of characters who comprise the main inhabitants of Wunderland: the ‘Poundland of magical realms’.

Also along for the ride are series regulars Richard GloverRachel StubbingsClare Thomson, Simon Greenhall (I’m Alan Partridge) and Marcia Warren. The results are as magical as ever, as Lady Bowie goes on an adventure to a ‘tights spot’ and the narrator meets some other weirdos.

Please adjust your pants accordingly, and listen without orifice via iPlayer now. Three further episodes will air over the next few Wednesdays at 11pm only on Radio 4.

Shooting the Breeze is Back!

15 Sep

This week sees the long-awaited return of Rachel Stubbings fronted film night Shooting the Breeze after a lengthy Summer sabbatical, and there’s some exciting details for TVO readers to savour.

© Rachel Stubbings / Ben Mallaby

© Rachel Stubbings / Ben Mallaby

First up, the event will feature an early preview of a new short film called One Tw*t written by Stubbings, directed by Ben Mallaby, and starring Stubbings, Mike Wozniak and Tom Meeten. A romantic comedy with a twist, we’ve got a couple of exclusive behind the scenes stills for you across this post.

© Rachel Stubbings / Ben Mallaby

© Rachel Stubbings / Ben Mallaby

The night will also feature the first screening of Mosquito starring Stubbings alongside Alice Lowe, Richard Herring and Michael Spicer, as well as contributions from Steve OramAlex MacQueen, Diane Morgan, Brett Goldstein, Alistair Green, The Blaine Brothers, Andrew Laurich, Gabriel Miller. MP Cunningham and even more – all packed into one stuffed hour of awesome film.

© Rachel Stubbings / Ben Mallaby

© Rachel Stubbings / Ben Mallaby

As ever, Shooting the Breeze takes place at Shortwave Cinema in Bermondsey Square, and tickets for the show this Thursday, 17th September are just £7 over yonder.

Lowe & Stubbings In New Short

10 Sep

Screen Shot 2015-09-10 at 22.10.25Two TVO faces, in the shape of Alice Lowe and Rachel Stubbings, feature in a new short film called Mosquito.

The narrative tells the bizarre story of a man whose life is transformed as a result of a mosquito bite. Experimental in tone and content, the film includes some nicely nuanced, deeply dark comedy performances.

The short was directed by BAFTA-nominated Ben Mallaby and written by Writer Michael Spicer, who also acts in the film. The collaboration came about after Ben saw Michael in Rec.601, a sketch with Rachel which we covered on The Velvet Onion a while back.

Michael spoke to us about working with the two comedians: “Working with Alice was surreal but brilliant. Surreal because I’ve seen and heard just about everything she’s been in, and brilliant because her performance was effortless and pitch-perfect. Rachel, as usual, was extremely good and great fun to be around; she gave the whole crew a lift – something that all crews need once in a while. She’s destined for greatness, that one.”

Ben and Michael’s ultimate goal is to develop Mosquito into a feature length film. In the meantime, you can watch the trailer below. The 10-minute short will be screened in full at comedy film night Shooting the Breeze (hosted by Rachel) at Shortwave Cinema on 17th September; tickets and information here.

You can see more of Ben Mallaby’s work here, and more of Michael Spicer’s work there. Enjoy!


Onion Talking: Steve Oram Opens Wide & Says AAAAAAAAH!

8 Sep

unnamedIf you’re a regular reader of The Velvet Onion you’ll know that we’ve been getting pretty excited about Steve Oram‘s unique simian comedy horror AAAAAAAAH! for a while now. Thought-provoking, hilarious and frequently downright disgusting, AAAAAAAAH! enjoyed a triumphant World Premier at Frightfest last month and is being screened at a number of festivals over the coming weeks. Trust us when we say that you really need to see it.

Earlier this week Steve kindly found the time to chat to us about the film:

AAAAAAAAH! portrays a world in which humans behave like apes – but how accurate are those ape-like behaviours? Were you down at the zoo, taking notes, Steve?

The idea of them behaving like apes isn’t strictly what I was intending – they’re actually more like cavemen. I was creating a world where language, in particular, isn’t so advanced in evolutionary terms. So they don’t have all of the things that language gives us, and those subtleties are played out in different ways.

I think AAAAAAAAH! a very open thing that exists in its own world, but we decided to describe it as “behaving like apes” because it’s a concise and easy way of describing it. It’s for everyone to interpret how they wish.

We see some pretty out there behaviours on screen. If your intention wasn’t to directly mimic the ape world, how did you come up with them?

There’s a strong internal logic to it – they’re all slightly-skewed social rituals. For example, the fact that they use their hands to eat [instead of cutlery] is about etiquette; that’s just what they do in their world, it’s a custom. And when Toyah and Lucy [the mother and daughter of the family] poo on the floor, that’s just something that mothers and daughters do; it’s social ritual bonding thing that they do when they’re cooking.

Screen Shot 2015-09-08 at 22.20.27

With AAAAAAAAH!, are you trying to say something significant about modern society, or is the construct simply an idea that you liked?

It’s just something I found funny; I didn’t set out to make something that was a satire or a commentary. I just really enjoyed creating an intricate world, and creating the interactions and the characters – making them do silly, extreme things.

10291146_10152555044887673_1890467153980958974_nYou’ve worked with many of the cast members multiple times before, but how did you decide on which new faces to bring on board, like Toyah and Julian Rhind-Tutt? 

With Toyah, I loved her work in Jubilee and Quadraphenia – I’ve been a massive fan of hers for years. I was trying to cast a lady in her 50s who wouldn’t mind having to do embarrassing sex scenes and have blancmange thrown at her face. There’s not that many of them! I didn’t know her before, but I sent her the script and she loved it.

I was working with Julian on a TV film called Wipers Times over in Northern Ireland, coincidentally while I was writing AAAAAAAAH! on my days off.

I started thinking about him for the film, and he was one of the first people I attached to the script. He was keen to play against type – as a horrible washing machine repair man!

The dynamic between you and Tom, who plays your beta male, is pretty special. Do you think anyone else could have played that role apart from Tom?

Absolutely not, and not just because of his balls – although that is always a consideration [Tom’s familiar testicles have a supporting role in the film]. I was so pleased to work with Tom on this, and it was so much fun doing it with him. There’s a shorthand for the things we do and have done for years; when we started the film it made me feel really confident and happy that he was in it and that we were doing something together.

10418463_10152143892116526_4047534245763507909_nThere’s no actual speaking in the film, but you wrote a script for the actors to follow. How did that work?

The script was all written out in English. The scenes had English dialogue in them for the actors, so that they got a sense of what each scene was about and what they were trying to do and say. On the day we read it through with the dialogue, and then we ‘went ape’. We threw the scripts away and instead of speaking everyone went “Ughhhhh”. No one will ever know what that script contained because it is full of filth!

Did your experience on Sightseers influence how you approached AAAAAAAAH!?

In terms of writing, I got better at it with this film; I did it very quickly and spontaneously. We had a long drawn-out development period with Sightseers, and this was a chance for me to do something very quickly and to do it myself.

I learned a lot from Ben Wheatley about being quick. With Sightseers we moved about a lot, so we had to do the scenes very quickly. That really influenced me, and I started making more short films after that which incorporated a fastness of movement. If you’re not standing around repeating everything fifty-million times, but you’re shooting scenes in one or two takes, it gives the film energy.

10479132_10152143890811526_7908757513103856445_nWhat do you prefer doing: directing, writing, acting, stand-up?

I love them all! At its heart it all stems from writing – that’s probably the single thing that links it all together. As an actor you need to understand writing and interpret scripts…they all feed into the same thing.

So what’s next for Steve Oram?

I’m writing the next one, which we’ll hopefully film next year. It’s another weird, dystopian comedy sci-fi…believe it or not!

I’m really driven by people saying “You can’t do that, it’s too strange”. I just go “Of course you can,” and do it. Film is just a collection of sound and images – you can do whatever you want. It’s sad that we’re so paralysed and narrow in the way we make films, and art generally. If someone says you can’t do it, just do it.

Here here. A big thank you to Steve for taking the time to talk to us about AAAAAAAAH!

You can catch the film at various festivals and screenings over the coming weeks – including dates in London, Bristol, Birmingham, Los Angeles, Belfast, Dorset, Leeds and Nottingham. They’ve even had a Paris screening this week! To find out where and when you can see it and for further updates, check out Lincoln Studios website. 

AAAAAAAAH! will also be available on VOD via Icon Film Distribution and FrightFest from 19th October. 

Exclusive: The Ghoul Teaser Trailer

4 Sep

The Velvet Onion is proud to bring you the first official glimpse of The Ghoul in this tantalising teaser.

The Ghoul is written and directed by Gareth Tunley and stars a whole bevvy of his regular collaborators. Tom Meeten, Alice Lowe, Rufus Jones, Paul Kaye, Dan Skinner, Waen Shepherd and Sean Reynard join Naimh Cusack (Heartbeat, The Curious Incident of the Dog in the Night Time), James Eyres and veteran comedy legend Geoffrey McGivern in the film. Shepherd has also provided the movie’s score.

The film marks the directorial feature debut of Tunley, who has previously directed shorts (such as TVO favourite The Baron) and the groundbreaking making of web-portal for A Field in England.

And whilst the cast is primarily made up of Tunley’s comedy friends and collaborators, The Ghoul is a psychological thriller that follows Tom Meeten’s detective as he goes undercover as a psychotherapy patient in an attempt to solve a murder case. As he delves further, he begins to lose his grip on reality, eventually questioning whether the entire investigation may just be a fabrication of his mind.

Described as a dreamlike narrative by the director, the film fuses the visual trappings of suburban film noir with the narrative rug pulls of science fiction, and was shot in sixteen days earlier this year. With finishing touches to the film almost complete, we’ll be bringing you more news on The Ghoul very soon.

The Ape Man Cometh: AAAAAAAAH! Review

28 Aug

unnamedOne of the things that distinguishes the artists that we write about at The Velvet Onion is their ability to think differently and to make waves in a sea of entertainment mediocrity. At their best, they conjure up ideas and dream of worlds so creatively vibrant that they force us, the audience, into a different headspace ourselves. In this respect, Steve Oram‘s AAAAAAAAH! (always written with eight ‘A’s) totally nails it.

The premise of the film is simple: it shows us what human beings would be like if we conformed to the natural behaviour patterns of apes. AAAAAAAAH! presents us with an everyday world that looks like ours but where society has been reduced to little more than factions of fighting, fucking, shitting beasts.

Although I’m no primatologist, I’m fairly sure David Attenborough has said that our simian relatives are more complex than this. But given that the impact of AAAAAAAAH! comes, in large part, from the consistent and gaping absence of anything recognisably ‘human’ in the behaviour of the human forms on screen, let’s embrace the film’s freewheeling approach to natural history.

First things first: the idea upon which the film is built is strange, brave, funny and thought-provoking (more of that later). Conceptually, it’s one of the most interesting films I’ve seen in a long while. The cast are astonishingly good – within minutes you forget that nobody is actually speaking; their grunts, whoops and gestures tell you everything that you need to know about the film’s narrative (as an aside, Tom Meeten told us that the cast were actually given scripts to follow. Wonderful stuff!). Of particular note is the perfectly-observed unspoken camaraderie between Steve Oram and Tom Meeten, the boorish mateyness of Julian Rhind-Tutt and Sean Reynard, and the emotional fragility of a garden-bound Julian Barratt.

It’s also a real pleasure seeing so many of ‘our lot’ working together on a project like this. Proof, if any were needed, that they are a group bound by a shared love of what can best be described as creatively out there. And thank goodness for that!

unnamedBe warned though, it’s not all comedic complexity and anthropological insight. AAAAAAAAH! makes for pretty visceral viewing, sometimes bordering on the gratuitously gross – although it’s generally done for humorous effect, not to offend. The screen is frequently awash with body fluids and body parts, chunks of half-eaten food and unpredictable bloody violence. Within moments of the film starting two key characters defecate in their kitchen, and aggressive, often uninvited sex is never more than a couple of scenes away. Let’s just say it’s probably not a film to take your Mum to.

unnamed-3The overall sense of visual unpleasantness is reinforced by the depiction of a shabby, urban working class existence (I don’t know why, but I suspect that a rural middle-class monkey life might be easier on the eye), and the general look of the film, which is raw and ungraded.

With movie audiences now more used to the anaesthetising effect of Insta filters, it’s actually quite unnerving to watch a film which looks like it might have been shot on video tape.

Perhaps this was a decision born out of budgetary necessity, but by looking less cinematic AAAAAAAAH! feels more real, more immediate. This realism nudges it away from being an artistic concept on a cinema screen, towards a depiction of an authentic world that any of us could easily be part of.

And this is where the film gets really interesting: after watching it I half-expected violent chaos and beastial shrieks to erupt on my tube journey home. The fact that it didn’t, and that every day we unconsciously navigate our way around other people, mindful even of the rights of the strangers in our midst, suddenly seemed astonishing. AAAAAAAAH! provides a fascinating glimpse into what our society could be like if we didn’t follow the intricate set of social rules that have been defined and refined by several millennia of cultural evolution.

unnamed-1Watching people (like us) behave like apes has the effect of re-setting one’s internal gauge of what a ‘normal’ society should be like. We share 99% of our DNA with apes; how incredible it is then that we live in such close proximity to each other, but we rarely fall back on our basic animal instincts to deal with those around us.

AAAAAAAAH! makes you question the validity of the cultural codes by which we live. It forces you to acknowledge how strangely unnatural, transient and man-made our modern lives are. If we were to strip away these superficial social conceits, then really we’re no different to the apes that preceded us. We too are horny, violent, disgusting creatures. It’s no wonder that the news is full of bloodshed and war.

And that’s why I relished AAAAAAAAH so much: it made my brain whirr. It isn’t necessarily lovely to look at and it’s not perfect – indeed, it seems to flaunts its flaws with a strange sense of pride, but it really makes you think – for long after the end credits have rolled – and for that it deserves to be applauded. With the lions’ share of ‘entertainment’ served up for our online/on-screen pleasure these days unlikely to create the smallest cognitive ripple, anything that forces us to sit up and take notice should be celebrated. AAAAAAAAH! is punk cinema at its best: crude, rude and brain fizzingly provocative. Go see!

The next screening of AAAAAAAAH! Takes place at Picturehouse Central in London on 4th September, and includes a cast Q&A. For tickets for this and for updates on other screenings please visit the Lincoln Studios website.



30 Jul

unnamedThe excitement is mounting…. As we’ve mentioned previously, AAAAAAAAH!, the new film by Steve Oram, which features a bevy of TVO faces, will be getting its world premiere next month at Film 4 FrightFest at Leicester Square! But for those of you who can’t make it there, don’t despair – because the film may be coming to a screen near you!

Additional screenings of AAAAAAAAH! include:

Picture House Central in London’s West End on 4th September (+ cast Q&A)
End of the Road Festival (Dorset), 4th-6th September
Mayhem in Nottingham, 15-18 October

Plus more dates to be announced soon. Sign up or check here for screening updates and general AAAAAAAAH! news.

Rook Films

Rook Films

For anyone out there who isn’t familiar with AAAAAAAAH! (how??), Steve’s debut features the entire cast behaving as apes – speaking in grunts and gibberish, in an anarchic, disturbing and touching look at the human condition. It stars Julian Barratt, Toyah Willcox, Julian Rhind-Tutt, Steve Oram, Lucy Honigman, Tom Meeten and Sean Reynard. The supporting cast includes Noel Fielding, Holli Dempsey, Shelley Longworth, Alice Lowe, Tony Way and Waen ShepherdBen Wheatley is also executive producer.

What’s more, AAAAAAAAH! is already receiving rave reviews; here are a few choice comments from the critics:

“Terrifyingly funny, hilariously sick and unlike anything you’ve ever seen before. Easily the cult movie of the decade” – Alan Jones Film4 FrightFest

“Steve Oram’s AAAAAAAAH! made me question humanity.” – Adam Woodward, LWL’s

“Deeply offensive in all the right ways. Marks its strange, humorous territory with originality and style.” – Phelim O’Neill

Excited yet?

World Premiere & Q&A For Aaaaaaah!

5 Jul

Screen Shot 2015-07-05 at 12.47.33As our regular readers will be aware, we’ve been getting more than a little over-excited about Aaaaaaah! for some time – and now the details of the World Premiere have been announced.

Steve Oram‘s directorial debut comedy horror, about a world inhabited by apes in human form, will star a cavalcade of comedic TVO-connected talent (and post-punk icon Toyah Wilcox), including Julian Barratt, Noel Fielding (or “Noah Fielding” according to this site), Alice Lowe, Tom Meeten, Steve Oram, Sean ReynardWaen Shepherd, John Hopkins and Tony Way.

The film premieres at Film 4 FrightFest at Leicester Square – and you can be there to experience it on the big screen in person! What’s more, the event will feature a Q&A with some of the cast. Steve and Toyah are confirmed for this, but there’s on news yet as to which other cast members will be there.

The film will be screened at 18:35 on Friday 28th August on the Discovery 1 screen. A festival pass costs £185 (eek) and day passes for the Friday are £60 (still eek) – these are available here. Single tickets at £13.25 per film will go on sale on 25th July, but unfortunately there are no guarantees what will be available then. Festival and day passes went on sale yesterday and it looks like demand so far has been very high.

In the meantime, to remind yourself how flipping exciting this is (and it really is!), take another look at the Aaaaaaah! trailer below:

So Hot Right Now: #37

29 Jun

Welcome to The Velvet Onion – the central hub for an interconnected range of alternative comedy and more. Click through for the latest news, and see what’s so hot right now THIS WEEK below…


Humans, Sunday, 9:00pm, Channel 4 [UK]
Sunday, 9:00pm (8:00pm Central), AMC [US]

© Channel 4 / AMC / Kudos

© Channel 4 / AMC / Kudos

AMC and Channel 4’s smash-hit sci-fi drama Humans continues on Sunday evening, with Katherine ParkinsonRebecca Front and Paul Kaye part of the impressive ensemble cast.

Over in the USA, it’s time for Episode Two, and George (William Hurt) is assigned a new Synth, Vera (an eerie Rebecca Front) whom he cannot stand, and Laura (Katherine Parkinson) feels threatened by Anita’s presence in her home. Elsewhere Fred (Sope Dirisu) is held captive by Hobb (Danny Webb), which leads him to fear for the future of the human race, and Leo (Colin Morgan) finds himself on a dangerous path in the search for information.

UK viewers, are a couple of weeks ahead, so naturally, our US brethren may wish to skip this paragraph. In the fourth episode, Anita (Gemma Chan) is taken for testing, which yields the surprising revelation that the supposedly brand new synth is actually 14 years old, and has a past she is not aware of. Elsewhere, Pete (Neil Maskell, Kill List) hates being stuck at home with Simon (Jack Derges), but his selfish behaviour drives Jill (Jill Halfpenny) from the house, and Hobb closes in on Niska (Emily Berrington), and Mattie (Lucy Carless) gets in touch with Leo (Colin Morgan), who reveals something that could change the world.

If you’re not watching on tv – and you really should – Humans is also available to pre-order for £14 on dvd now via The Velvet Onion Amazon Store. If you’d rather go all synthetic yourself, you can purchase digital downloads of the show on Amazon already.


SunTrap, Wednesday, 10:40pm, BBC One
Regional times vary (see below)

© Happy Tramp / BBC

© Happy Tramp / BBC

It’s the last in the series for BBC One’s crime caper SunTrap this week, and the show goes out in style with a nautical adventure.

Directed by Ben Palmer (The Inbetweeners Movie, Bad Sugar, Star Stories), Sun Trap features Kayvan Novak and Bradley Walsh as former undercover journalists turned private investigators in an island paradise. Also featuring Jamie Demetriou, Emma Pierson and Keith Allen, the series has previously featured guest appearances from TVO regulars Tracy Ann Oberman, Alex Kirk, Morgana Robinson, Simon Day and Paul Kaye, and this week, two more familiar faces join the fun, in the form of Tony Way and Steve Oram.

When a company running pirate-themed boat parties for tourists hires Woody to go undercover as an entertainer to investigate a new rival firm that is threatening to sabotage their business. However, the master of disguise soon discovers all is not quite what it seems, and when he is kidnapped at sea, mock pirate battles quickly transform into real seafaring clashes. With his life on the line, Woody must rely on one of his most audacious disguises yet – as well as help from Brutus and Melody – if he is to escape unscathed.

With Oram, Way and former Shameless star Sean Gilder as this week’s guest stars, the series goes out on a high. If you’ve not yet tapped into the SunTrap, this is your last chance on telly, and as ever, regional times for Wednesday’s transmission vary, with viewers in England getting it at 10:40pm, viewers in Wales getting it at 11:10pm, and viewers in Northern Ireland at 11:20pm. Everyone, including Scotland, can also tune in on Friday at 10:35pm after The Graham Norton Show.

If you’ve enjoyed the show, or want to know why so many talented types turned up in it, you can pre-order the DVD now via The Velvet Onion Amazon Store.


Doll & Em, Wednesday, 10:10pm, Sky Atlantic

© Sky Atlantic / HBO

© Sky Atlantic / HBO

The second series of Doll & Em continues this week, as Dolly Wells and Emily Mortimer’s semi-autobiographical comic drama begins to draw to a conclusion.

This week, there are only 24 hours remaining before the pair’s play is due to première off-Broadway, with genuine Hollywood stars Olivia Wilde and Evan Rachel Wood on board playing the lead characters based on Wells & Mortimer.

However, tensions are high, and Wilde & Wood are frustrated by a string of last-minute changes. Dolly makes things worse when her salty language offends Evan, and Em’s husband Noah is spending an increasing amount of time with his wife’s on-stage counterpart Olivia.

Also featuring Mischa Richter, this is another dynamite installment of the hugely acclaimed comedy, and with any luck you’ll have been watching all along (we did keep telling you). However, if you haven’t, both series are available on demand now via SkyGo and NowTV, along with a cavalcade of previous hits.


Hoff The Record, Thursday, 9:00pm, Dave

© UKTV / Me & You Productions / Ollie Upton

© UKTV / Me & You Productions / Ollie Upton

Dave’s delightful new semi-improvised comedy Hoff The Record continues on Thursday evening, with Fergus Craig playing the hapless manager of Baywatch star David Hasselhoff.

For the uninitiated, Hoff the Record focuses on the Knight Rider legend’s fictionalised attempts at rebuilding his career in the UK, with his useless manager Max (Craig); Harriet (Ella Smith) – an inexperienced PA; Terry (Asim Chaudhry) – an over-enthusiastic driver; Danny (Brett Goldstein) – an oafish personal trainer; and Dieter (Mark Quartley) – The Hoff’s illegitimate son.

With the likes of Tim Downie and Anna Crilly turning up in last week’s episode, and guest appearances from Steve Oram and Simon Greenall still to come, there’s lots of TVO-flavoured reasons to watch Hoff the Record, as well as it being rather ruddy funny.

In this week’s episode, The Hoff has decided to give up acting, following an inspirational session with Danny, and plans to embrace his potential for doing good in the world by becoming a United Nations Ambassador. In a bid to learn about the UN, he takes part in a school’s debate: only Hoff’s debating skills are not enough to win against a group of precocious kids.

If you missed it recently, you can catch our exclusive interview with star Fergus Craig over yonder now, and Series One is available to pre-order on dvd too.


Undercover, Tuesday, 9:00pm, Dave

© Baby Cow / UKTV / Topher McGrillis

© Baby Cow / UKTV / Topher McGrillis

Unless you’ve been living under a rock with no access to TVO over the last few weeks, you’ll know that there’s not one but two new shows on Dave with TVO connections. Undercover is their bold new sitcom which fuses witty wordplay with high-octane crime drama, and is directed by Dave Lambert (The Mighty Boosh, Common Ground, Alan Partridge).

Starring Daniel Rigby (Eric & ErnieFrom There To Here) and Sarah Alexander (Green Wing, Coupling) as dim-witted detectives Chris Anderson and Zoe Keller investigating an Armenian gangster family, the series also features Yasmine Akrin (Sherlock, Stella) and co-writer Sascha Tarter.

This week the Police are becoming impatient with `Operation Piccolo’ and see the release of Ara’s henchman Tommi Lylozian (Keith Allen) from prison as an opportunity to make some headway. Chris attempts to gather incriminating evidence on the Sarkissian operation by wearing a wire. As Tommi is guaranteed the protection of the family, Chris struggles not just to get evidence but to stay alive, due to the fact that Tommi is a raving psychopath.

You can catch Undercover twice this week: on Tuesday at 9pm, or right after Hoff the Record on Thursday at 9:40pm. You can catch our exclusive interview with Dave Lambert over yonder.


Man Down, Monday, 10:00pm, Channel 4

© Channel 4 / Shamil Tanna

© Channel 4 / Shamil Tanna

Greg Davis returns in the latest edition of Channel 4’s Man Down – produced, as ever, by Spencer Millman.

This week, Dan (Davis) volunteers to look after his pupil Dennis (Alfie Davis) for the weekend after the boy recieves sad news about his family, though as ever, he is primarily motivated with impressing Miss Lipsey (Jeany Spark). Soon, poor Dennis is subjected to reliving the childhood years of Jo (Roisin Conaty), Brian (Mike Wozniak) and Dan by way of a bike-trip, a game of knock-down-ginger and one of their own devising called furry periscope.


Horrible Histories, Monday, 5:00pm, CBBC

© Lion TV / Laura Rawlinson

© Lion TV / Laura Rawlinson

The new series of Horrible Histories continues on Monday afternoon, with a look at the life of Egyptian Queen, Cleopatra.

Played by guest star Kathryn Drysdale, best known for her role as Louise in 2 Pints of Lager and a Packet of Crisps, Cleo clashed with her brother, seized power for herself, and hooked up with Roman leaders Julius Ceasar and Mark Antony – all of which is given a Horrible Histories spin.

Plus, there’s the thoughts of famous Chinese philosopher Confucious, and a look at the less glamorous side of of life in Rome. Featuring, as always, Simon Farnaby and Jim Howick, along with new regulars Jalaal Hartley, Naz Osmanoglu, Jessica Ransom, Adam Richies and Murder in Successville‘s Tom Stourton, it’s another fun filled half hour with the new look team.


Jonathan Strange & Mr Norrell, Saturday, 10:00pm (9:00pm Central), BBC America

©  JSMN Ltd / Matt Squire

© JSMN Ltd / Matt Squire

The fourth episode of the BBCs fantasy epic Jonathan Strange & Mr Norrell airs in the US on Saturday evening via BBC America, once again starring Paul Kaye and Edward Hogg amongst its incredible ensemble.

In this instalment, Strange (Bertie Carvel) is developing a growing fascination with the magic of the Raven King, which drives a wedge between him and Norrell (Eddie Marsan). The latter is determined to stop Strange resurrecting the dark powers of ancient times, even as he attempts to cure King George III of his madness. Elsewhere, Drawlight (Vincent Franklin) is caught selling magical secrets, and the mysterious Gentleman (Marc Warren) seeks Stephen’s (Ariyon Bakare)  aid in putting a stop to Strange’s meddling.

If you haven’t caught up yet, do so immediately, then check out our exclusive interview with Kaye about the series over yonder. UK fans of the series can rejoice: you can pick it up on on dvd and blu-ray right now via The Velvet Onion Amazon Store.


There’s almost always a chance or two to see a TVO regular on stage, often in London, but occasionally up and down the country. Whilst it’s a quiet week ahead, here’s where you can find them throughout the week.

© Lauren Taylor

© Lauren Taylor

Wednesday 1st July

Richard Sandling‘s Perfect Movie Podcast Show featuring Brett Goldstein
Betsey Trotwood, London
7:30pm, £3.85

Lou Sanders & Bec Hill
Charles Cryer Theatre, Carshalton
8:00pm, £7

Aisling Bea & Phil Wang
The Wardrobe Theatre, Bristol
8:00pm, £5

Thursday 2nd July

Joey Page & Yve Blake
Komedia, Brighton
7:00pm, £8

Saturday 4th July

Dan Clark‘s The Wow Wow Show! featuring Alice Lowe, Natasia Demetriou, Liam Williams, Oliver Maltman and The Wow Wow Band
Soho Theatre, London
9:30pm, £16.50

Aisling Bea, Stewart Lee, Arthur Smith, Phil Wang and The Pin
Union Chapel, London
7:45pm, £18


As always, there’s so much going on within the Velvet Onion, it’s easy to miss things. As well as our News pages, the best way to keep track is via our Twitter feed, so here are a few highlights from throughout the week gone by.


Wow! Alice Lowe Joins Clark’s Comedy Night

27 Jun
© Amy Wilson

© Amy Wilson

It’s Saturday – and that means one thing at TVO Towers: our thoughts turn to what we’re doing next Saturday, and this week we’re pretty darned excited. Because in exactly 1 week’s time Alice Lowe will be on the bill at Dan Clark‘s Wow Wow Show at Soho Theatre. That’s two of TVO faces in one go!

The Saturday 4th July show will be the last Wow Wow Show according to Dan (sniff), so for those of you who haven’t encountered it yet, it’s best described as a British take on the American late night talk show, with Dan playing host to a night of stand up and sketches, set pieces, a house band and special guests.

With Alice spending more of her time on her film work, this provides a rare opportunity to see her live – so grab yourself a ticket while you can. Also on the bill are Anna Morris and Oliver Maltman.

The show starts at 9.30pm and tickets are £15 (£12.50 conc.); they can be procured here.

Black Mountain Poets

2 Jun

The first trailer for forthcoming British comedy film Black Mountain Poets has been released.

© Black Mountain Poets

© Black Mountain Poets

The film, which we first told you about back in April, is the third feature written and directed by Jamie Adams, following 2014’s A Wonderful Christmas Time and Benny & Jolene, the latter of which featured Dolly Wells and Laura Patch in its cast.

Wells and Patch return in Black Mountain Poets, alongside none other than Alice Lowe, as well as Downton Abbey’s Tom Cullen, Rosa Robson and Adams regular collaborator Richard Elis. In it, Alice and Dolly play a pair of wannabe thieves on the run, who go in hiding at a countryside poetry club in the Black Mountains of Wales.

Shot in just five days, and partially improvised, the film premières at the Edinburgh International Film Festival on 22nd June, and will be released theatrically and on-demand later this year. As soon as we have confirmed release dates, we’ll let you know. You can see the trailer below.

So Hot Right Now #28

27 Apr

Welcome to The Velvet Onion – the central hub for an interconnected range of alternative comedy and more. Click through for the latest news, and see what’s so hot right now THIS WEEK below…


© Sophie Mutevelian / BBC

© Sophie Mutevelian / BBC

The superlative creativity of Reece Shearsmith and Steve Pemberton seemingly knows no bounds, as demonstrated perfectly by the second series of Inside No. 9, which concludes its eclectic run of six one-off tales this week, with special guest appearances by Downtown Abbey star Sophie McShera and Mike Leigh veteran Alison Steadman in the macabre Seance Time.

Tina (McShera) has never consulted the spirit world before, and isn’t quite sure what to expect on her visit to psychic Madam Talbot (Steadman). The medium’s assistant Hives (Shearsmith) seems quite helpful, but there’s already something waiting for Tina on the ‘other side’ and he knows all about it.

To say more would, as ever, ruin the subtle surprises on offer, but we will add that there’s the added bonus of guest appearances by TVO regulars Alice Lowe and Cariad Lloyd, as well as Doctor Who‘s resident Sontaran, Dan Starkey (last seen in Ben Wheatley’s Deep Breath in August, and occasional improv artist alongside Phil Whelans).

For one week only, the show shifts from its usual Thursday night slot to WEDNESDAY at 10pm on BBC Two. We’ll be sorry to see Inside No. 9 go, as this second run has proved to be a telly highlight this year. The campaign for a third run begins here…


© BBC / Jack Barnes

© BBC / Jack Barnes

Spoof documentary series W1A moves to Inside No 9‘s old slot of Thursday at 10pm this week, as Hugh Bonneville and team meet to discuss the troubling rumours that Newsnight presenter Evan Davis is to compete in the next series of Strictly Come Dancing.

Elsewhere, there’s a new Pilates initiative as Anna (the ever magnificent Sarah Parish) puts herself forward for the newly advertised role of Head of Better, and ever put upon Lucy (the inimitable Nina Sosanya) faces yet more tinkering with her as-yet-uncommissioned drama project.

As ever, Rufus Jones and Jessica Hynes are part of the impeccable ensemble cast, and the results are yet more must-see telly.


© Monicker Pictures

© Monicker Pictures

New ITV sitcom The Delivery Man continues on Wednesday, once again featuring Aisling Bea and Alex MacQueen alongside Darren Boyd, Paddy McGuiness and Faye Ripley.

This week in the maternity ward comedy, a prisoner arrives on release to give birth, but the police need some crucial information, so Ian (McGuiness) tries underhand interrogation tactics on the expectant mother. Elsewhere, Ryan (Joe De Costa) discovers Lisa (Bea) has been lending money to Matthew (Boyd), and heads to the hospital in a rage.

You can catch this latest episode at 9:30pm on Wednesday evening, over on ITV1. Previous episodes are available on ITV Player now.


© Kieron McCarron / September Films / GME / ITV

© Kieron McCarron / September Films / GME / ITV

Okay – we have to admit: this one perhaps understandably slipped by us… but ITV’s latest incarnation of gameshow Celebrity Squares returned recently, with Warwick Davis (Life’s Too Short, The Day They Came To Suck Out Our Brains) at the helm.

The Harry Potter star is now two episodes into the run, which airs on Sunday evenings at 7:15pm on ITV1, and both installments to date have featured TVO regulars or connected artists, so they’re well worth catching up with on ITV Player.

The first show, which aired on 19th April, featured none other than cult duo Anna Crilly Katy Wix amongst its star line-up, whilst the second, which aired yesterday (25th April), featured Jessica Hynes and House of Fools stars Vic Reeves & Bob Mortimer.

The third show, which will air on Sunday 3rd May, will feature comedy legend Doon Mackichan – best known for her work on shows such as The Day Today, Smack the Pony and most recently, Toast of London. And we will never rule out ITV gameshows for potential connections ever again.



There’s a whole lot more TVO goodness to savour this week if you know where to look on tv and radio, thanks to a healthy dose of repeats – and a sneaky little spot of guest starring here and there.

BBC Two repeats Noel Fielding‘s 2013 appearance on QI XL on Saturday 2nd May at 11pm, whilst over on Channel 4 an hour earlier, there’s another chance to see the excellent British sci-fi action movie Dredd, which memorably features heavy usage of Matt Berry‘s theme for Snuffbox.

On radio, duo Max and Ivan continue their series The Casebook of Max and Ivan with a guest appearance from Reece Shearsmith this Tuesday evening at 6:30pm on Radio 4. Last week, they sneaked in an appearance from Jessica Hynes, whilst Matt Lucas joined them the previous week. You can catch up with the whole run on iPlayer now.

Meanwhile, BBC Radio 4 Extra are revisiting a firm TVO favourite in the form of Lucy Montgomery’s Variety Pack – which also features Waen Shepherd and was written by Montgomery with Steven Burge and Dan Tetsell. The first two episodes of Series 1 are on iPlayer now, with Episode 3 airing again on Wednesday evening at 11:30pm.

If you’re in the US, and feeling left out, don’t forget that Steve Coogan continues his run in Happyish on Sunday evenings exclusively on Showtime at 9:30 pm ET/PT.


As we reported last week, this Friday sees the relaunch of Rachel Stubbings web series, Stubbing Out Problems

The stand-up comic’s first run of S.O.P. videos began in May 2011, and featured Rachel’s disinterested alter-ego (Dr Stubbings, that is, not Rachel from Friends) trying – and failing – to help a series of clients sort out their issues, all played by fellow comedians. TVO regulars Stephen Evans, Alice Lowe, Tom Meeten, Alex Kirk and Aisling Bea joined the likes of Luke McQueen, Brett Goldstein, Katherine Ryan and Margaret Cabourn-Smith as clients across the series.

Following Rachel’s debut Edinburgh run with a show based on Stubbing out Problems in 2012, the concept was retired except for a handful of rare live revivals – but now at long last, it’s back with a bang! For the whole of May 2015, Dr Stubbings has pledged to heal at least one problem per day (except weekends), which is really impressive. The results will be uploaded to Vimeo every day* throughout May, and will feature a whole host of new clients – some of whom you can see in the teaser above.


© Tony Law

There’s almost always a chance or two to see a TVO regular on the London stage, and whilst this week is a bit of a quiet one, there’s still a few chances to see great people this week.

27/04/15 – Joey Page with Craig Murray – The Old Town Hall, Hemel Hempstead, 8pm, £8

29/04/15 – Richard Sandling with Bec Hill, Brett Goldstein, Chris Coltrane, Howard Read, Tiernan Douieb (new material night) – Betsey Trostswood, 8:00pm, £3.50-£5

30/04/15 – Tony Law with Sara Pascoe, Zoe Lyons and Brett Goldstein – 99 Club, Leicester Square, 8:30pm, £9-£12

30/04/15 – James Cook: Outsiders Alternative Pop Cabaret with special guests – Aces and Eights, 8:00pm, £5

01/05/15 – SPANK! featuring James Wren and Leon Fleury, plus special guests Abandoman, Marcel Lucont, David Morgan and In Cahoots – Udderbelly, 10:45pm, £15.50


As always, there’s so much going on at the Velvet Onion, it’s easy to miss things. As well as our News pages, the best way to keep track is via our Twitter feed, so here are a few highlights from throughout the week gone by. Until next time, keep on peeling!

So Hot Right Now #26

13 Apr

Welcome to The Velvet Onion – the central hub for an interconnected range of alternative comedy and more. Click through for the latest news, and see what’s so hot right now THIS WEEK below…


Late last week, TVO recieved the first teaser trailer for Aaaaaaaah! – the directorial feature debut of Steve Oram which features a cavalcade of TVO regulars in its impressive cast list.

The film features Oram alongside Tom MeetenJulian BarrattNoel FieldingAlice Lowe, Waen ShepherdShelly Longworth, Tony WayJohn Hopkins and Sean Reynard, as well as Julian Rhind-Tutt (A Touch of Cloth, Green Wing), Holli Dempsey (Derek, Doctor Who), Lucy Honigman (Mr & Mrs Murder) and post-punk legend Toyah Willcox.

With music from King Crimson Projekts (Robert Fripp) and David Westlake (Sneakerpimps), and no real dialogue to speak of, the teaser is certainly whetting appetites – and we can’t wait to tell you more. Stay peeled, and we’ll let you know what we can, when we can!


With the Melbourne International Comedy Festival now in full swing, the arrival of An Audience With Noel Fielding down under has led to a sizable chunk of TVO regulars entertaining audiences on the other side of the world to their normal location for an extended period of time.



MICF kicks off the Australian tour for AAWNF this week, as Noel FieldingTom Meeten and Mike Fielding bring their full length live mayhem to Oz. If you’ve not paid attention so far, the show features Noel’s long-form standup storytelling and a series of characters from Luxury Comedy and beyond… plus the Moon makes regular interjections on the action!

This week’s Melbourne dates are sold out, but Saturday’s second show in Adelaide and a return to Melbourne on Sunday are both still on sale, and some of the later dates are also up for grabs for the time being too. Next week, dates in Canberra, Sydney and Perth follow (all bar the second Perth date sold out), and the show will visit Brisbane, Syndey (again), Melbourne (again), Auckland, Wellington and Christchurch before wrapping up on 14th May. For tickets, go over yonder.

© Sarah Kendall

MICF is also hosting a series of TVO flavoured gigs from some of our favourite standups until it all comes to an end on Sunday 19th April. Most excitingly, this includes the première of Sarah Kendall‘s brand new show, A Day in October.

The storytelling stand-up follows her work on previous shows by exploring another tale from her childhood: this time focusing on a pool party in 1989 that was so disastrous, the ramifications are still being felt today. It was a bad pool party. Book tickets here.

© Paul Foot

Elsewhere at the festival, the mighty Paul Foot brings his 2014 Edinburgh show, Hovercraft Syphony in Gammon # Major, to Aussie audiences.

Paul has become a cult favourite in Australia, and returns after rave reviews to stimulate minds with his brief case full of new rants and tall tales. Book tickets here.

© Tony Law

Also there for one more week is Tony Law, who is bringing his 2014 Edinburgh show Enter the ToneZone to Australia for one final run. Following a huge UK tour and a Soho Theatre residency, Tone offers magical shapes, an original song, some truly heart-breaking nonsense and brief tackling of world issues through the medium of dance.

There’s tons of other great shows on offer, so we suggest maybe hitting the list here and booking as many as you can, but whilst we’re here, we’d also like to give a shout out to up and coming comic Alexis Simmonds, whose show Mist-Conceptions is taking place at The Tuxedo Cat.  A long-standing friend of TVO and a big fan of our regulars now forging her own comedic path, she’s one of us, and one of you, and it’d be great if you could go along and say hello from us.


© Channel 4

© Channel 4

Back on our tellyboxes, the truly incredible Jessica Hynes joins Richard Ayoade for the latest edition of Travel Man this Monday evening at 8:30pm on Channel 4.

The delightful duo take a whirlwind weekend trip to Iceland, visiting the most famous waterfalls, glaciers and geysers of the Nordic island by helicopter, go in search of whales and chill-out at the Blue Lagoon geothermic pool. But it’s not all rosy, with a meal of rotten shark and Breavin (mashed potato spirit) on the agenda, and a mandatory attendance of Elf School. Magnificent.


© Sophie Mutevelian / BBC

© Sophie Mutevelian / BBC

The sublime Inside No. 9 continues on Thursday evening at 10pm on BBC Two, and this week, Reece Shearsmith and Steve Pemberton are joined by Ab Fab legend Jane Horrocks, Luther star Nikki Amuka-Bird and TVO regular Tony Way in Cold Comfort.

This week focuses on Booth Nine in the Comfort Support Line’s call centre, which offers the lonely and desperate a chance to talk about their problems. Each of the CSL counsellors have their own ways of dealing with clients, the stress of the job and killing time between calls, but newcommer Andy (Pemberton) really isn’t prepared for what is to come.

Inside No. 9 continues to innovate and push the boundaries of its format, and this episode is no exception. Shot almost entirely via a fixed camera in the booth, other angles of CCTV footage are displayed down the side of the screen, and become increasingly important as the story unfolds. It’s clever television that also manages to remember to be gripping, thoughtful and creepy in good measure, and above all else, it’s a comedy that’s downright hilarious. A must-see.




If you’ve not tuned in to Chat Show Roulette yet, it’s really time you did – as the improvisation led chat-show in which famous names pretend to be fictional guests on the spur of the moment to host Justin Edwards only has two episodes left in this long-awaited first series.

This week, he is joined by Brian Pern himself: the legendary Simon Day, as well as friend of TVO, David Reed. Also along for the ride are Luisa Omielan, Beardyman and regular musical accompanier James Sherwood. You can hear it on Radio 4 on Thursday evening at 11pm, and previous episodes, including appearances from Kevin Eldon, Matt Lucas, Charlie Higson, Cariad Lloyd and many more can be heard over yonder.



© Rachel Stubbings

While a lot of our regular touring lot are down under as listed above, there’s also a number of other chances to see TVO regulars this week. Here’s where you can see them…

13/04/15 – Rachel Stubbings and Lou Sanders with Jessica Forteskew – Aces and Eights, 7:30pm, FREE.

15/04/15 – Aisling Bea with  Ed Caruna, Joe Lycett, Matthew Crosby and Stuart Goldsmith – Bar FM, 8pm, £10.

15/04/15 – Richard Sandling with Alexis Dubus, Sarah Bennetto, Syd Moor, Spencer Jones and Elf Lyons – Betsey Trotwood, 8pm, £5.

15/04/15 – Cariad Lloyd with Josie Lawrence, Niall Ashdown, Richard Vranch, Andy Smart and Lee Simpson – The Comedy Store, 8pm, £17.

16/04/15 – Joey Page, Julian Deane, Michael Fabbri, Richard Todd, Nathan Cassidy, Laurence Owen, Faye Treacy and Luke Capasso – Camden Comedy Club, 8pm, £4.

17/04/15 – Aisling Bea with Mae Martin, Mike Wozniak, Tim Key – The Bloomsbury Theatre, 7:30pm, £20. {in aid of The Lullaby Trust}

Please note – there are listings out there suggesting Tony Law is appearing at Laughing Boy Comedy this Thursday in Brixton, but as he’s currently in Melbourne, we’re not sure how that’s possible, even for the ToneZone.




We’d be remiss not to mention the long-awaited return of Game of Thrones this weekend, which is just about the biggest show in the world right about now. As you may remember, Tony Way played Ser Dontos Hollard in Seasons Two and Four, while Paul Kaye was Thoros of Myr in Season Three and comedian Gemma Whelan (The Day They Came to Suck Out Our Brains, Cardinal Burns) has been appearing as Yara Greyjoy since the second season.

Whilst we’ve seen the last of Hollard, Thoros and Yara are still out there with stories to unfold, and the show’s international cast draws on a wide range of incredibly talented actors and actresses, so we’ll never rule out another TVO regular making an appearance until the show reaches its conclusion. And either way, it’s generally awesome, so it’s well worth your attention.


As always, there’s so much going on at the Velvet Onion, it’s easy to miss things. As well as our News pages, the best way to keep track is via our Twitter feed, so here are a few highlights from throughout the week gone by. Until next time, keep on peeling!


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