© James Cook / Media Curve
If you’re a die hard fan of The Mighty Boosh or a lover of alternative music crafted with care for the details, chances are you’ve heard of James Cook. If you haven’t, then perhaps you haven’t been reading TVO properly these last five years.
With his new album out now, Cook has returned to the London music scene in recent months, and sat down to talk to TVO’s editor-in-chief Paul Holmes, about his past, present and future in a revealing two-part interview, ahead of the next round of his club night, Outsiders, on February 26th. The initial results are below…
The story of any cultural movement that shaped the course of an entire industry is always fascinating to hear. Some stories, however, have yet to be told in any real detail, such as the birth and subsequent explosion of the new wave of alternative comedy and music that existed in tandem at the turn of the millennium, focused primarily in the heart of North London.
One major player in all of this was James Cook – former frontman of cult favourites NEMO, collaborator of Chris Corner and regular guest star with The Mighty Boosh. For the last six years, Berlin has been Cook’s base, and thanks to large amount of travel, he knows his ‘way around’ LA, Montevideo and Prague, too. But London will always be his real home.
© James Cook / Media Curve
“This year has definitely felt like some sort of homecoming,” he tells TVO as he strolls the cold streets of a capital knee-deep into Winter. “It feels like home, really. I was born and grew up in Luton and Dunstable, but London was somehow embedded in my subconscious. It was the teenage dream for a musician and songwriter, to head into the Big Smoke!”
Now following a period of several years spent living abroad, Cook has returned to London to make it his permanent home once more, and has already begun finding his feet again with a new regular live night in the works.
Indeed, as TVO caught up with Cook, he was filled with enthusiasm for the opening night of Outsiders – his alternative pop cabaret at Aces & 8’s in Tufnell Park. “The room was completely full,” James exclaims, full of joy. “The audience was great and the night was fun and exciting – for the band as well as the crowd. It was a lovely way to begin the live side of things again.”
Outsiders features Cook hosting a night of, in his terms: “music and nonsense, with a bit of classic pop dj-ing from yours truly”. It’s also an opportunity to see his ever expanding live band, plus special guests every month. Fifteen years after NEMO began their career as part of legendary club night, The System, there’s a sense that his journey has come full circle.
© James Cook
A whole decade has passed since those heady days, when NEMO ran The System as an electro/indie club night of their own. “It was unheard of back then,” James states. “The scene blossomed. Robots in Disguise, Chris Corner and Sneaker Pimps… who later became IAMX, The Mighty Boosh, Imogen Heap, Graham Coxon… they were all regulars.”
“We all used to hang out together as friends,” he continues. “We’d go to each others events, get drunk together, perform, collaborate, and guest in each other’s shows. I remember once performing a song onstage at the Hen & Chickens with The Mighty Boosh, and Julian Barratt pretending to ‘fancy’ me after seeing me perform. He tried to snog me!” He bursts out laughing, and adds: “Much to Noel’s annoyance!”
Cook subsequently shared a flat in Angel with Barratt and violinist Anne Marie Kirby, with whom he still works to this day. “That was between 2003 and 2007,” explains James. “So it coincided with my touring with IAMX, NEMO’s rise to infamy, and the writing and filming of all three series of The Mighty Boosh. They kept calling me in for some weird and wonderful cameo…” He adopts an impression: “James Nemo? Are you available to come to shooting 8am tomorrow morning with the Boosh? Today you will be a blue alien nomad. Can you play this Oud?”
Indeed, Cook’s cameos on the show are numerous. He was one of the Ape of Death’s bodyguard mandrills, a Mod Wolf, a mutant postman, magical shaman, dying hipster, a blue tennis player (The Blue McEnroe, no less), and perhaps most delightfully, Kevin Rowland, searching for the New Sound. His biggest role in the show, came as a blue-faced nomadic minstrel, slave to Rich Fulcher’s Blue King Alan, who is composes a song about Vince Noir being ‘The Chosen One’.
© Baby Cow Productions
“We seriously wrote that song together five minutes before we shot that scene,” James reveals. “Shooting the Boosh was a bit like that. There was always room for people to put themselves into the role, add lines and improvise. That was the reason for so much laughter and hilarity on set. They were truly magical times.”
It is perhaps hard to believe that it’s now over seven years since the third series aired, and almost eight since the Boosh team were making new episodes – a fact that Cook is all too acutely aware of. “It still feels very recent,” he tells TVO, “but everyone involved has been so creative and busy that it also feels like forever. So much amazing material has gone out into the world from that little scene of comedians and musicians.”
“I was so glad when TVO came along,” he adds passionately, “to help join the dots for people. In the early days I felt like I was the one constantly talking about the collective hive mind we had. That family feel. We used to go on holiday together, make short films…” He trails off as a near-forgotten memory rises to the surface. “We made a legendary silent horror film which we shot in France. It was called ‘La Rose D’Envie’, and featured Julian Barratt, Chris Corner, Sue Denim and myself. Never even released!”
© Baby Cow Productions
The creative family has widened, remoulded and become increasingly fluid in recent years, yet at its core will always be two inter-connected groups – that of Ealing Live (a comedy troupe featuring Alice Lowe, Richard Glover, Oram & Meeten, Katy Brand, Simon Farnaby and many, many others), and the Boosh/IAMX collective across the city.
“When you started to write about it in TVO,” James enthuses, “I was relieved that someone else had noticed the connections and references. It means it has been initially documented and recognised, but the full story can and should be fleshed out properly one day.”
“There was so much creative overlap,” he continues, “between the comedy shows, music nights, albums and tv programmes. The energy was bursting out of North London at the time. A lot of it is captured within the art, but there are so many little notes and stories…” He pauses for a moment, then adds with determination: “I would love to write some sort of memoir about it one day!”
James Cook returns with Outsiders on 26th February. His new album, Adventures in Ausland is available now via Bandcamp. Part Two of this interview will follow next week.